Osamu Tezuka: Comics

“I am convinced that comics should not only make people laugh. For this in my stories found tears, anger, hatred, pain and end not always happy.”

Osamu Tezuka

Quoted in Helen McCarthy, Osamu Tezuka: God of manga , translated by Fabio Deotto, Edizioni BD, 2010, back cover.

Pain , People , Tear , Anger

“Around 1945, daily life might have been hard, but the reputation of Disney was at its highest. The voices of Mickey Mouse and Donald Duck had stabilized, Snow White and Bambi were huge hits and had received a number of international prizes. It really was like the brightness of a rising sun. And then Japanese children after the war had no choice but to face the flood of Disney comics that accompanied the brainwashing of “American democracy.””

Osamu Tezuka

That was their merit as propaganda against the Japanese.
Tezuka Osamu and American Comics http://www.tcj.com/tezuka-osamu-and-american-comics/, (1973), as quoted by Ryan Holmberg, The Comics Journal, Jul 16, 2012.

Life , War , Children , Democracy

“Comics are an international language, they can cross boundaries and generations. Comics are a bridge between all cultures”

Osamu Tezuka

As quoted in Transnational Perspectives on Graphic Narratives https://books.google.com/books?isbn=1441185755 p. 5

“Those American comics themselves were heavily influenced by Keaton’s comedies, Mack Sennett, those sorts of films from the golden age of comedy. The gagmen that appeared there, for example Roscoe Arbuckle or Ben Turpin, there were lots of comics that used their style, their faces just as is. Especially Chaplin with his bowed legs and over-sized shoes. Those sorts of features were used directly in comics. In that era, all American cartoonists imitated the stars of comedy. That is what I worked so hard at copying, and so that’s why my comics are bowlegged and big-shoed. At the level of content too I was deeply influenced by the strong social caricatures of Chaplin’s comedies, the tears mixed with the laughter. The biggest influence of all was the rhythm.”

Osamu Tezuka

Source: http://www.tcj.com/tezuka-osamu-and-american-comics/ Tezuka Osamu and American Comics

Age , Shoe , Star , Tear

“I feel there is sensuality … eroticism in the primary things that move, like animals and insects. Being able to inspire the movement to still images … gives me the joy of the creator that breathes life into things that do not have life. The movement must be sufficiently round and sweet … so express its eroticism. In creating cartoons I always think of an ideal, but … half the finish to doubt the rightness of what I'm doing. So I put all my expectations always work next. * * […] I often say jokingly that comics are my true wife and that the cartoons are my lover. The fact that I am fully dedicated to animation, my lover … is because it allows me to express in a sublime … the interesting metamorphosis of a changing body. For me, the greatest fun, no doubt, lies in the draw and give movement to change processes. Always look in my cartons this metamorphosis.”

Osamu Tezuka

From Interview to the author , in Osamu Tezuka, Jumping ; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 4, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 178. ISBN 8888063188

Life , Feeling , Lovers , Thinking

“I first followed the comics of Tagawa Suihō and Yokoyama Ryūichi. But suddenly, once I became devoted to Disney, I set out to copy and master that stuffed-animal style, eventually ending up with how I now draw.”

Osamu Tezuka

Source: http://www.tcj.com/tezuka-osamu-and-american-comics/ Tezuka Osamu and American Comics

Animals , Drawing

“The new readers have mentality, fashions, feelings completely different from those of previous readers. Should I draw comics following my first readers in their growth? Or should I stop doing the cartoonist? … More or less every three years a cartoonist for children is cornered. I, too, every three years, living a crisis. So I decide and I get back to work for my new readers as if they were the first. … This is why I am certain that the good work that will draw able to make happy readers of all time.”

Osamu Tezuka

From My Diary manga , 1966; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 3, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 26. ISBN 8888063102

Children , Feeling , Fashion , Time

“The science fiction and manga readers had the same… Most fiction writers then had had some experience in the comic and some of it had even been absorbed completely… I can not understand why those who love science fiction also loves the manga and vice versa. There are two kinds characterized by a biting satire and at worst are called "extravagant"…. Both are aimed toward the future, and therefore contain romantic adventures for young people.”

Osamu Tezuka

Since I cartoonist ; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 3, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 73.

Love , People , Understanding , Science