Noel Coward: Going

Noel Coward was English playwright, composer, director, actor and singer. Explore interesting quotes on going.
Noel Coward: 98 quotes5 likes

“Gary: You ought never to have joined the Athenaeum Club, Henry: it was disastrous.
Henry: I really don’t see why.
Gary: It’s made you pompous.
Henry: It can’t have. I’ve always been too frightened to go into it.”

Noel Coward Present Laughter

Present Laughter (1939)

“He loved me true did Harry-boy and I loved him true, and if the happiness we gave each other was wicked and wrong in the eyes of the Law and the Church and God Almighty, then the Law and the Church and God Almighty can go dig a hole and fall down it.”

Noel Coward

Me and the Girls (1964).

“Gary: Beryl Willard is extremely competent. Beryl Willard has been extremely competent, man and boy, for forty years. In addition to her extreme competence, she has contrived, with uncanny skill, to sustain a spotless reputation for being the most paralysing, epoch-making, monumental, world-shattering, God-awful bore that ever drew breath…I will explain one thing further - it is this. No prayer, no bribe, no threat, no power, human or divine, would induce me to go to Africa with Beryl Willard. I wouldn't go as far as Wimbledon with Beryl Willard.
Liz: What he's trying to say is that he doesn't care for Beryl Willard.”

Noel Coward Present Laughter

Present Laughter (1939)

“In a jungle town
Where the sun beats down
To the rage of man and beast,
The English garb
Of the English sahib
Merely gets a bit more creased.
In Bangkok
At twelve'o'clock
They foam at the mouth and run,
But mad dogs and Englishmen
Go out in the midday sun.”

Noel Coward

Mad Dogs and Englishmen (1930)

“Proceeding on the assumption that the reader of this preface is interested in the development of my musical talent, I will try to explain, as concisely as I can, how, in this respect, my personal wheels go round. To begin with, I have only had two music lessons in my life. These were the first steps of what was to have been a full course at the Guildhall School of Music, and they faltered and stopped when I was told by my instructor that I could not use consecutive fifths. He went on to explain that a gentleman called Ebenezer Prout had announced many years ago that consecutive fifths were wrong and must in no circumstances be employed. At that time Ebenezer Prout was merely a name to me (as a matter of fact he still is, and a very funny one at that) and I was unimpressed by his Victorian dicta. I argued back that Debussy and Ravel had used consecutive fifths like mad. My instructor waved aside this triviality with a pudgy hand, and I left his presence forever with the parting shot that what was good enough for Debussy and Ravel was good enough for me. This outburst of rugged individualism deprived me of much valuable knowledge, and I have never deeply regretted it for a moment.”

Noel Coward

Preface, The Noël Coward Song Book, pp. 12–13.

“Mad Dogs & Englishmen
Go out in the midday sun.
The Japanese don't care to,
The Chinese wouldn't dare to,
The Hindus and Argentines
Sleep firmly from twelve to one,
But Englishmen
Detest a
Siesta.”

Noel Coward

Mad Dogs and Englishmen (1930)