Nam June Paik Quotes (10 quotes) | Quotes of famous people

Nam June Paik: 10 quotes 10 likes

Famous Nam June Paik Quotes

“I want to shape the TV screen canvas
as precisely as Leonardo,
as freely as Picasso,
as colorfully as Renoir,
as profoundly as Mondrian,
as violently as Pollock
and as lyrically as Jasper Johns.”

Nam June Paik

Paik (1969) Versatile Color TV Synthesizer, Manifesto, cited in: Edith Decker-Phillips. Paik Video, Barrytown, Limited, 1998. p. 154
1960s

“Without electricity, there can be no art.”

Nam June Paik

Nam June Paik, (c. 1976) in "Nam June Paik retrospective, Liverpool" by Emma O'Kelly in Wallpaper, 20 December 2010 (at archive.org https://web.archive.org/web/20101222082827/http://www.wallpaper.com/art/nam-june-paik-retrospective-liverpool/5045).
1970s

“I am a poor man from a poor country, so I have to be entertaining every second.”

Nam June Paik

Attributed in: Yuji Takahashi " For Paik http://www.suigyu.com/yuji/en-text/paik.html," exhibition catalogue “ Bye-bye Nam June Paik http://www.watarium.co.jp/exhibition/0606_paik_en.html” at Watarium Museum, 2006.
1970s

“I make technology ridiculous.”

Nam June Paik

Leigh Landy, Antje von Graevenitz. " 'I MAKE TECHNOLOGY RIDICULOUS' — THE UNUSUAL DIALECTICS OF NAM JUNE PAIK," in: Leigh Landy (ed.) 1992. Technik, p. 79
1970s

“By using TV as a bra… the most intimate belonging of a human being, we will demonstrate the human use of technology, and also stimulate viewers… to look for the new, imaginative and humanistic ways of using our technology.”

Nam June Paik

Statement on TV Bra for a Living Scultpure (1969), cited in: C. A. Xuan Mai Ardia, "[http://artradarjournal.com/2014/10/24/nam-june-paik-becoming-robot-new-york/ Nam June Paik: “Becoming Robot” in New York – in pictures," at Art Radar journal, posted on 24/10/2014
1960s

“Our life is half natural and half technological. Half-and-half is good. You cannot deny that high-tech is progress. We need it for jobs. Yet if you make only high-tech, you make war. So we must have a strong human element to keep modesty and natural life.”

Nam June Paik

1970s
Source: Douglas C. McGill, ART PEOPLE http://www.nytimes.com/1986/10/03/arts/art-people.html, New York Times, October 3, 1986

Nam June Paik Quotes

“Cybernated art is very important, but art for cybernated life is
more important, and the latter need not be cybernated....
Cybernetics, the science of pure relations, or relationship
itself, has its origin in karma...
The Buddhists also say
Karma is samsara
Relationship is metempsychosis”

Nam June Paik

Nam June Paik, “Cybernated Art,” in Manifestos, Great Bear Pamphlets, (New York: Something Else Press, 1966), p. 24; Quoted in: Edward A. Shanken, " Cybernetics and Art: Cultural Convergence in the 1960s http://www.artexetra.com//CyberneticsArtCultConv.pdf," in: From Energy to Information: Representation in Science, Technology, Art, and Literature, Stanford University Press, Bruce Clarke and Linda Dalrymple Henderson (eds.), 2002.
1960s

Life , Art , Science

“It is the historical necessity, if there is a historical necessity in history, that a new decade of electronic television should follow to the past decade of electronic music.”

Nam June Paik

Nam June Paik (1965), as cited in: David Dunn, " A History of Electronic Music Pioneers http://vasulka.org/Kitchen/PDF_Eigenwelt/pdf/021-062.pdf." ders.(Hrsg.), Eigenwelt der Apparate-Welt.(Katalog), Linz (1992): 21-62.
1960s

Music , History , Past

“Art is just fraud. You just have to do something nobody else has done before.”

Nam June Paik

In interview with a Korean newspaper, quoted in: KoreAm Journal, Vol. 17 (2006), p. 79
1970s

Art , Fraud

“As collage technique replaced oil paint, the cathode ray tube will replace the canvas. Someday artists will work with capacitors, resistors, and semiconductors as they work today with brushes, violins and junk. There are 4,000,000 dots per second on one television screen, just think of the variety of images you can get. It's so cool. It's like going to the moon.”

Nam June Paik

Manifesto, New York, October 1965, as cited in Jasia Reichardt (1971). The computer in art. p. 95
1960s

Thinking , Painting