as the fool" (ii 16)
The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy
Miguel de Unamuno: Man
Miguel de Unamuno was 19th-20th century Spanish writer and philosopher. Explore interesting quotes on man.
Matt. xvi. 26
The Tragic Sense of Life (1913), III : The Hunger of Immortality
The Tragic Sense of Life (1913)
The Tragic Sense of Life (1913), VIII : From God to God
Context: And He is the God of the humble, for in the words of the Apostle, God chose the foolish things of the world to confound the wise and the weak things of the world to confound the things which are mighty (I Cor. i. 27) And God is in each of us in the measure in which one feels Him and loves Him. "If of two men," says Kierkegaard, "one prays to the true God without sincerity of heart, and the other prays to the an idol with all the passion of an infinite yearning, it is the first who really prays to the idol, while the second really prays to God." It would be better to say that the true God is He to whom man truly prays and whom man truly desires. And there may even be a truer revelation in superstition itself than in theology.
Niebla [Mist] (1914)
Context: Whenever a man talks he lies, and so far as he talks to himself — that is to say, so far as he thinks, knowing that he thinks — he lies to himself. The only truth in human life is that which is physiological. Speech — this thing that they call a social product — was made for lying.
The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy
Context: Don Quixote made himself ridiculous; but did he know the most tragic ridicule of all, the inward ridicule, the ridiculousness of a man's self to himself, in the eyes of his own soul? Imagine Don Quixote's battlefield to be his own soul; imagine him to be fighting in his soul to save the Middle Ages from the Renaissance, to preserve the treasure of his infancy; imagine him an inward Don Quixote, with a Sancho at his side, inward and heroic too — and tell me if you find anything comic in the tragedy.
The Tragic Sense of Life (1913), IX : Faith, Hope, and Charity
Context: Suffering is a spiritual thing. It is the most immediate revelation of consciousness, and it may be that our body was given us simply in order that suffering might be enabled to manifest itself. A man who had never known suffering, either in greater or less degree, would scarcely possess consciousness of himself. The child first cries at birth when the air, entering into his lungs and limiting him, seems to say to him: You have to breathe me in order to live!
The Tragic Sense of Life (1913), IV : The Essence of Catholicism
Context: And why be scandalized by the infallibility of a man, of the Pope? What difference does it make whether it be a book that is infallible — the Bible, or a society of men — the Church, or a single man? Does it make any essential change in the rational difficulty? And since the infallibility of a book or of a society of men is not more rational than that of a single man, this supreme offense to the eyes of reason has to be postulated.
The Tragic Sense of Life (1913), I : The Man of Flesh and Bone
Context: Man is said to be a reasoning animal. I do not know why he has not been defined as an affective or feeling animal. Perhaps that which differentiates him from other animals is feeling rather than reason. More often I have seen a cat reason than laugh or weep. Perhaps it weeps or laughs inwardly — but then perhaps, also inwardly, the crab resolves equations of the second degree.
The Tragic Sense of Life (1913), XI : The Practical Problem
Context: More than a century ago, in 1804, in Letter XC of that series that constitutes the immense monody of his Obermann, Sénancour wrote the words which I have put at the head of this chapter — and of all the spiritual descendants of the patriarchal Rousseau, Sénancour was the most profound and intense; of all the men of heart and feeling that France has produced, not excluding Pascal, he was the most tragic. "Man is perishable. That may be; but let us perish resisting, and if it is nothingness that awaits us, do not let us so act that it shall be a just fate." Change this sentence from it negative to the positive form — "And if it is nothingness that awaits us, let us so act that it shall be an unjust fate" — and you get the firmest basis of action for the man who cannot or will not be a dogmatist.
The Tragic Sense of Life (1913), III : The Hunger of Immortality
Context: The vain man is in like cause with the avaricious — he takes the mean for the end; forgetting the end he pursues the means for its own sake and goes no further. The seeming to be something, conducive to being it, ends by forming our objective. We need that others should believe in our superiority to them in order that we may believe in it ourselves, and upon their belief base our faith in our own persistence, or at least in the persistence of our fame. We are more grateful to him that congratulates us on the skill with which we defend a cause than we are to him who recognizes the truth or goodness of the cause itself. A rabid mania for originality is rife in the modern intellectual world and characterizes all individual effort. We would rather err with genius than hit the mark with the crowd.
The Tragic Sense of Life (1913), II : The Starting-Point
Context: The truth is sum, ergo cogito — I am, therefore I think, although not everything that is thinks. Is not consciousness of thinking above all consciousness of being? Is pure thought possible, without consciousness of self, without personality? Can there exist pure knowledge without feeling, without that species of materiality which feelings lends to it? Do we not perhaps feel thought, and do we not feel ourselves in the act of knowing and willing? Could not the man in the stove [Descartes] have said: "I feel, therefore I am"? or "I will, therefore I am"? And to feel oneself, is it not perhaps to feel oneself imperishable?
The Tragic Sense of Life (1913), I : The Man of Flesh and Bone
Context: If a philosopher is not a man, he is anything but a philosopher; he is above all a pedant, and a pedant is a caricature of a man. The cultivation of any branch of science — of chemistry, of physics, of geometry, of philology — may be a work of differentiated specialization, and even so, only within very narrow limits and restrictions; but philosophy, like poetry, is a work of integration and synthesis, or else it is merely pseudo-philosophical erudition.
The Tragic Sense of Life (1913), I : The Man of Flesh and Bone
Context: It has often been said that every man who has suffered misfortunes prefers to be himself, even with his misfortunes, rather than to be someone else without them. For unfortunate men, when they preserve their normality in their misfortune — that is to say, when they endeavor to persist in their own being — prefer misfortune to non-existence. For myself I can say that when a as a youth, and even as a child, I remained unmoved when shown the most moving pictures of hell, for even then nothing appeared to me quite so horrible as nothingness itself. It was a furious hunger of being that possessed me, an appetite for divinity, as one of our ascetics [San Juan de los Angeles] has put it.
The Tragic Sense of Life (1913), II : The Starting-Point
Context: Knowledge is employed in the service of the necessity of life and primarily in the service of the instinct of personal preservation. The necessity and this instinct have created in man the organs of knowledge and given them such capacity as they possess. Man sees, hears, touches, tastes and smells that which it is necessary for him to see, hear, touch, taste and smell in order to preserve his life. The decay or loss of any of these senses increases the risks with which his life is environed, and if it increases them less in the state of society in which we are actually living, the reason is that some see, hear, touch, taste and smell for others. A blind man, by himself and without a guide, could not live long. Society is an additional sense; it is the true common sense.
The Tragic Sense of Life (1913), XI : The Practical Problem
The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy
The Tragic Sense of Life (1913), III : The Hunger of Immortality
The Tragic Sense of Life (1913), VIII : From God to God