Mickey Spillane: Likeness

Mickey Spillane was American writer. Explore interesting quotes on likeness.
Mickey Spillane: 118 quotes2 likes

“The guy was dead as hell. He lay on the floor in his pajamas with his brains scattered all over the rug and my gun was in his hand. I kept rubbing my face to wipe out the fuzz that clouded my mind but the cops wouldn't let me. One would pull my hand away and shout a question at me that made my head ache even worse and another would slap me with a wet rag until I felt like I had been split wide open.”

Mickey Spillane

Vengeance is Mine! (1950)

“I don't like people. I don't like any kind of people. When you get them together in a big lump they all get nasty and dirty and full of trouble. So I don't like people including you. That's what a misanthropist is.”

Mickey Spillane book The Big Kill

Source: The Big Kill

“The phone rang.
It was a thing that had been sitting here, black and quiet like a holstered gun, unlisted, unknown to anybody, used only for local outgoing calls, and when it was triggered it had the soft, muted sound of a silenced automatic. The first ring was a warning sound. The second time would be death calling.”

Mickey Spillane book Black Alley

Black Alley (1996)

“I used to be able to look at myself and grin without giving a damn about how ugly it made me look. Now I was looking at myself the same way those people did back there. I was looking at a big guy with an ugly reputation, a guy who had no earthly reason for existing in a decent, normal society. That's what the judge had said.
I was sweating and cold at the same time. Maybe it did happen to me over there. Maybe I did have a taste for death. Maybe I liked it too much to taste anything else. Maybe I was twisted and rotted inside. Maybe I would be washed down the sewer with the rest of all the rottenness sometime. What was stopping it from happening now? Why was I me with some kind of lucky charm around my neck that kept me going when I was better off dead?”

Mickey Spillane book One Lonely Night

One Lonely Night (1951)

“They had dropped the body behind a pile of cement blocks from a partly shattered wall, pulling a broken section of sheetrock over to hide it from casual view. But there's nothing casual about a little kid who liked to play in junk and found himself stumbling over the mutilated body of what had been a redheaded woman. At one time she would have been beautiful, but death had erased all that.”

Mickey Spillane book The Body Lovers

The Body Lovers (1967)

“The temperature was six below zero and it kept me dying on the spot because the blood coagulated and clotted in ugly smears of cloth and skin and the pain hadn't started yet, so when the little fat guy who saw my eyes open and still bright pulled me away from the carnage he was almost in the shock I was going into. Nobody would listen to him. He was a drunk. I was nearly dead.
Sometimes the body responds to a stimulus that can't be explained. He got me upright. I walked woodenly, dyingly. I was sat in an old car. The fat man rolled down the windows. The blood stayed frozen. My hands were numb and I couldn't feel my feet. Idly, I wondered what frostbite was like. Breathing was a thing that was happening, but at a pace that said it could slow, then stop at any time. A dull, squeezing sensation of pain was beginning to gnaw on my insides and I knew that eventually, and very soon, it would grow into a terrible, devastating animal with an awful hunger and I would be eaten alive by it.
I wanted to scream but nothing would come out.”

Mickey Spillane book Black Alley

Black Alley (1996)

“I couldn't think. I couldn't remember. I was wound up like a spring and ready to bust. All I could see was the dead guy in the middle of the room and my gun. My gun! Somebody grabbed at my arm and hauled me upright and the questions started again. That was as much as I could take. I gave a hell of a kick and a fat face in a fedora pulled back out of focus and started to groan, all doubled up. Maybe I laughed, I don't know.”

Mickey Spillane

Vengeance is Mine! (1950)

“They had left him for dead in the middle of a pool of blood in his own bedroom, his belly slit open like gaping barn doors, the hilt of the knife wedged against his sternum. But the only trouble was that he had stayed alive somehow, his life pumping out, managing to knock the telephone off the little table and dial me. Now he was looking up at me with seconds left and all he could do was force out the words, "Mike …there was no reason."”

Mickey Spillane

Survival...Zero! (1970)

“When you sit at home comfortably folded up in a chair beside a fire, have you ever thought what goes on outside there? Probably not. You pick up a book and read about things and stuff, getting a vicarious kick from people and events that never happened. You're doing it now, getting ready to fill in a normal life with the details of someone else's experiences. Fun, isn't it? You read about life on the outside thinking about how maybe you'd like it to happen to you, or at least how you'd like to watch it. Even the old Romans did it, spiced their life with action when they sat in the Coliseum and watched wild animals rip a bunch of humans apart, reveling in the sight of blood and terror. They screamed for joy and slapped each other on the back when murderous claws tore into the live flesh of slaves and cheered when the kill was made. Oh, it's great to watch, all right. Life through a keyhole. But day after day goes by and nothing like that ever happens to you so you think that it's all in books and not in reality at all and that's that. Still good reading, though. Tomorrow night you'll find another book, forgetting what was in the last and live some more in your imagination. But remember this: there are things happening out there. They go on every day and night making Roman holidays look like school picnics. They go on right under your very nose and you never know about them. Oh yes, you can find them all right. All you have to do is look for them. But I wouldn't if I were you because you won't like what you'll find. Then again, I'm not you and looking for those things is my job. They aren't nice things to see because they show people up for what they are. There isn't a coliseum any more, but the city is a bigger bowl, and it seats more people. The razor-sharp claws aren't those of wild animals but man's can be just as sharp and twice as vicious. You have to be quick, and you have to be able, or you become one of the devoured, and if you can kill first, no matter how and no matter who, you can live and return to the comfortable chair and the comfortable fire. But you have to be quick. And able. Or you'll be dead.”

Mickey Spillane

My Gun is Quick (1950)

“Nobody ever walked across the bridge, not on a night like this. The rain was misty enough to be almost fog-like, a cold gray curtain that separated me from the pale ovals of white that were faces locked behind the steamed-up windows of the cars that hissed by. Even the brilliance that was Manhattan by night was reduced to a few sleepy, yellow lights off in the distance.
Some place over there I had left my car and started walking, burying my head in the collar of my raincoat, with the night pulled in around me like a blanket. I walked and I smoked and I flipped the spent butts ahead of me and watched them arch to the pavement and fizzle out with one last wink. If there was life behind the windows of the buildings on either side of me, I didn't notice it. The street was mine, all mine. They gave it to me gladly and wondered why I wanted it so nice and all alone.
There were others like me, sharing the dark and the solitude, but they were huddled in the recessions of the doorways not wanting to share the wet and the cold. I could feel their eyes follow me briefly before they turned inward to their thoughts again.
So I followed the hard concrete footpaths of the city through the towering canyons of the buildings and never noticed when the sheer cliffs of brick and masonry diminished and disappeared altogether, and the footpath led into a ramp then on to the spidery steel skeleton that was the bridge linking two states.
I climbed to the hump in the middle and stood there leaning on the handrail with a butt in my fingers, watching the red and green lights of the boats in the river below. They winked at me and called in low, throaty notes before disappearing into the night.
Like eyes and faces. And voices.
I buried my face in my hands until everything straightened itself out again, wondering what the judge would say if he could see me now. Maybe he'd laugh because I was supposed to be so damn tough, and here I was with hands that wouldn't stand still and an empty feeling inside my chest.”

Mickey Spillane book One Lonely Night

One Lonely Night (1951)

“He stood with his back angled to the wall. To an indifferent observer he was simply in idle conversation, but it wasn't like that at all. This was an instinctive gesture of survival, being in constant readiness for an attack. His head didn't turn and his eyes didn't seem to move, but I knew he saw us. I could feel the hackles on the back of my neck stiffening and I knew he felt the same way.
Dog was meeting dog. Nobody knew it but the dogs and they weren't telling.
He was bigger than I thought. The suggestion of power I had seen in his photographs was for real. When he moved it was with the ponderous grace of some jungle animal, dangerously deceptive, because he could move a lot faster if he had to.
When we were ten feet away he pretended to see us for the first time and a wave of charm washed the cautious expression from his face and he stepped out to greet Dulcie with outstretched hand.
But it wasn't her he was seeing. It was me he was watching. I was one of his own kind. I couldn't be faked out and wasn't leashed by the proprieties of society. I could lash out and kill as fast as he could and of all the people in the room, I was the potential threat. I knew what he felt because I felt the same way myself.”

Mickey Spillane book The Body Lovers

The Body Lovers (1967)

“Some days hang over Manhattan like a huge pair of unseen pincers, slowly squeezing the city until you can hardly breathe. A low growl of thunder echoed up the cavern of Fifth Avenue and I looked up to where the sky started at the seventy-first floor of the Empire State Building. I could smell the rain. It was the kind that hung above the orderly piles of concrete until it was soaked with dust and debris and when it came down it wasn't rain at all but the sweat of the city.”

Mickey Spillane book The Killing Man

The Killing Man (1989)

“All I saw was the dame standing there in the glare of the headlights waving her arms like a huge puppet and the curse I spit out filled the car and my own ears. I wrenched the wheel over, felt the rear end start to slide, brought it out with a splash of power and almost ran up the side of a cliff as the car fishtailed. The brakes bit in, gouging a furrow in the shoulder, then jumped to the pavement and held.
Somehow I had managed a sweeping curve around the babe. For a few seconds she had been living on stolen time because instead of getting out of the way she had tried to stay in the beam of the headlights. I sat there and let myself shake. The butt that had fallen out of my mouth had burned a hole in the leg of my pants and I flipped it out the window. The stink of burned rubber and brake lining hung in the air like smoke and I was thinking of every damn thing I ever wanted to say to a hairbrained woman so I could have it ready when I got my hands on her.
That was as far as I got. She was there in the car beside me, the door slammed shut and she said, "Thanks, mister."”

Mickey Spillane

Kiss Me Deadly (1952)

“We brought a man back who should have died long ago. The present can't stand a man like that anymore. Now they want indecision and compromise and reluctance and fear.”

Mickey Spillane book The Snake

The Snake (1964)

“I was thinking too damn much to be careful. When I stabbed my key in the lock and turned it there was a momentary catch in the tumblers before it went all the way around and I swore out loud as I rammed the door with my shoulder and hit the floor. Something swished through the air over my head and I caught an arm and pulled a squirming, fighting bundle of muscle down on top of me.
If I could have reached my rod I would have blown his guts out. His breath was in my face and I brought my knee up, but he jerked out of the way bringing his hand down again and my shoulder went numb after a split second of blinding pain. He tried again with one hand going for my throat, but I got one foot loose and kicked out and up and felt my toe smash onto his groin. The cramp of the pain doubled him over on top of me, his breath sucking in like a leaky tire.
Then I got cocky. I thought I had him. I went to get up and he moved. Just once. That thing in his hand smashed against the side of my head and I started to crumple up piece by piece until there wasn't anything left except the sense to see and hear enough to know that he had crawled out of the room and was falling down the stairs outside. Then I thought about the lock on my door and how I had a guy fix it so that I could tell if it had been jimmied open so I wouldn't step into any blind alleys without a gun in my hand, but because of a dame who lay naked and smiling on a bed I wouldn't share, I had forgotten all about it.”

Mickey Spillane book The Big Kill

The Big Kill (1951)

“The cops aren't exactly dumb, you know. We can get our own answers.
Not like I can. That's why you buzzed me so fast. You can figure things out as quickly as I can, but you haven't got the ways and means of doing the dirty work. That's where I come in. You'll be right behind me every inch of the way, but when the pinch comes I'll get shoved aside and you slap the cuffs on. That is, if you can shove me aside. I don't think you can.”

Mickey Spillane book I, the Jury

I, the Jury (1947)

“The little guy's face was a bloody mess. Between the puffballs of blue-black flesh that used to be eyelids, the dull gleam of shock-deadened pupils watched Dilwick uncomprehendingly. His lips were swollen things of lacerated skin, with slow trickles of blood making crooked paths from the corners of his mouth through the stubble of a beard to his chin, dripping onto a stained shirt.
Dilwick stood just outside the glare of the lamp, dangling like the Sword of Damocles over the guy's head. He was sweating too. His shirt clung to the meaty expanse of his huge neck. He pushed his beefy hand further into the leather glove and swung. The solid smack of his open hand on the little guy's jaw was nasty. His chair went over backward and his head cracked against the concrete floor of the room like a ripe melon. Dilwick put his hands on his hips and glared down at the caricature that once was human.”

Mickey Spillane book The Twisted Thing

The Twisted Thing (1966)

“It was one of those nights when the sky came down and wrapped itself around the world. The rain clawed at the windows of the bar like an angry cat and tried to sneak in every time some drunk lurched in the door. The place reeked of stale beer and soggy men with enough cheap perfume thrown in to make you sick.
Two drunks with a nickel between them were arguing over what to play on the juke box until a tomato in a dress that was too tight a year ago pushed the key that started off something noisy and hot. One of the drunks wanted to dance and she gave him a shove. So he danced with the other drunk.
She saw me sitting there with my stool tipped back against the cigarette machine and change of a fin on the bar, decided I could afford a wet evening for two and walked over with her hips waving hello.”

Mickey Spillane book The Big Kill

The Big Kill (1951)

“I don't care what the editor likes or dislikes, I care what the people like.”

Mickey Spillane

Crime Time interview (2001)

“If the public likes you, you're good. Shakespeare was a common, down-to-earth writer in his day.”

Mickey Spillane

Writers on Writing interview (1986)