Mickey Spillane: Down

Mickey Spillane was American writer. Explore interesting quotes on down.
Mickey Spillane: 118 quotes2 likes

“You walk down the street at night. It's raining out. The only sound is that of your own feet. There are city sounds too, but these you don't hear because at the end of the street is the woman you've been waiting for for seven long years and each muffled tread of your footsteps takes you closer and closer and the sound of them marks off seconds and days and months of waiting.
Then, suddenly, you're there, outside a dark-faced building, a brownstone anachronism that stares back dully with the defiant expression of the moronic and you have an impending sense of being challenged.”

Mickey Spillane book The Snake

The Snake (1964)

“I used to be able to look at myself and grin without giving a damn about how ugly it made me look. Now I was looking at myself the same way those people did back there. I was looking at a big guy with an ugly reputation, a guy who had no earthly reason for existing in a decent, normal society. That's what the judge had said.
I was sweating and cold at the same time. Maybe it did happen to me over there. Maybe I did have a taste for death. Maybe I liked it too much to taste anything else. Maybe I was twisted and rotted inside. Maybe I would be washed down the sewer with the rest of all the rottenness sometime. What was stopping it from happening now? Why was I me with some kind of lucky charm around my neck that kept me going when I was better off dead?”

Mickey Spillane book One Lonely Night

One Lonely Night (1951)

“The temperature was six below zero and it kept me dying on the spot because the blood coagulated and clotted in ugly smears of cloth and skin and the pain hadn't started yet, so when the little fat guy who saw my eyes open and still bright pulled me away from the carnage he was almost in the shock I was going into. Nobody would listen to him. He was a drunk. I was nearly dead.
Sometimes the body responds to a stimulus that can't be explained. He got me upright. I walked woodenly, dyingly. I was sat in an old car. The fat man rolled down the windows. The blood stayed frozen. My hands were numb and I couldn't feel my feet. Idly, I wondered what frostbite was like. Breathing was a thing that was happening, but at a pace that said it could slow, then stop at any time. A dull, squeezing sensation of pain was beginning to gnaw on my insides and I knew that eventually, and very soon, it would grow into a terrible, devastating animal with an awful hunger and I would be eaten alive by it.
I wanted to scream but nothing would come out.”

Mickey Spillane book Black Alley

Black Alley (1996)

“The two young men turned and they didn't smile because they were Woody Ballinger's two boys, Carl and Sammy, and for one brief instant, there was something in their faces that didn't belong in that atmosphere of joviality and the little move they instinctively made that shielded them behind the others in back of them was involuntary enough to stretch a tight-lipped grin across my face that told them I could know.
Could.
From away back out of the years I got that feeling across my shoulders and up my spine that said things were starting to smell right and if you kept pushing the walls would go down and you could charge in and take them all apart until there was nothing left but the dirt they were made of.”

Mickey Spillane

Survival...Zero! (1970)

“I'm not an author, I'm a writer, that's all I am. Authors want their names down in history; I want to keep the smoke coming out of the chimney.”

Mickey Spillane

Crime Time interview (2001)

“Some days hang over Manhattan like a huge pair of unseen pincers, slowly squeezing the city until you can hardly breathe. A low growl of thunder echoed up the cavern of Fifth Avenue and I looked up to where the sky started at the seventy-first floor of the Empire State Building. I could smell the rain. It was the kind that hung above the orderly piles of concrete until it was soaked with dust and debris and when it came down it wasn't rain at all but the sweat of the city.”

Mickey Spillane book The Killing Man

The Killing Man (1989)

“I was thinking too damn much to be careful. When I stabbed my key in the lock and turned it there was a momentary catch in the tumblers before it went all the way around and I swore out loud as I rammed the door with my shoulder and hit the floor. Something swished through the air over my head and I caught an arm and pulled a squirming, fighting bundle of muscle down on top of me.
If I could have reached my rod I would have blown his guts out. His breath was in my face and I brought my knee up, but he jerked out of the way bringing his hand down again and my shoulder went numb after a split second of blinding pain. He tried again with one hand going for my throat, but I got one foot loose and kicked out and up and felt my toe smash onto his groin. The cramp of the pain doubled him over on top of me, his breath sucking in like a leaky tire.
Then I got cocky. I thought I had him. I went to get up and he moved. Just once. That thing in his hand smashed against the side of my head and I started to crumple up piece by piece until there wasn't anything left except the sense to see and hear enough to know that he had crawled out of the room and was falling down the stairs outside. Then I thought about the lock on my door and how I had a guy fix it so that I could tell if it had been jimmied open so I wouldn't step into any blind alleys without a gun in my hand, but because of a dame who lay naked and smiling on a bed I wouldn't share, I had forgotten all about it.”

Mickey Spillane book The Big Kill

The Big Kill (1951)

“The little guy's face was a bloody mess. Between the puffballs of blue-black flesh that used to be eyelids, the dull gleam of shock-deadened pupils watched Dilwick uncomprehendingly. His lips were swollen things of lacerated skin, with slow trickles of blood making crooked paths from the corners of his mouth through the stubble of a beard to his chin, dripping onto a stained shirt.
Dilwick stood just outside the glare of the lamp, dangling like the Sword of Damocles over the guy's head. He was sweating too. His shirt clung to the meaty expanse of his huge neck. He pushed his beefy hand further into the leather glove and swung. The solid smack of his open hand on the little guy's jaw was nasty. His chair went over backward and his head cracked against the concrete floor of the room like a ripe melon. Dilwick put his hands on his hips and glared down at the caricature that once was human.”

Mickey Spillane book The Twisted Thing

The Twisted Thing (1966)

“It was one of those nights when the sky came down and wrapped itself around the world. The rain clawed at the windows of the bar like an angry cat and tried to sneak in every time some drunk lurched in the door. The place reeked of stale beer and soggy men with enough cheap perfume thrown in to make you sick.
Two drunks with a nickel between them were arguing over what to play on the juke box until a tomato in a dress that was too tight a year ago pushed the key that started off something noisy and hot. One of the drunks wanted to dance and she gave him a shove. So he danced with the other drunk.
She saw me sitting there with my stool tipped back against the cigarette machine and change of a fin on the bar, decided I could afford a wet evening for two and walked over with her hips waving hello.”

Mickey Spillane book The Big Kill

The Big Kill (1951)

“The roar of the.45 shook the room. Charlotte staggered back a step. Her eyes were a symphony of incredulity, an unbelieving witness to truth. Slowly, she looked down at the ugly swelling in her naked belly where the bullet went in.
"How c-could you?" she gasped.
I had only a moment before talking to a corpse, but I got it in.
"It was easy," I said.”

Mickey Spillane book I, the Jury

I, the Jury (1947)

“If the public likes you, you're good. Shakespeare was a common, down-to-earth writer in his day.”

Mickey Spillane

Writers on Writing interview (1986)

“I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics. Stan could write on three typewriters at once! I wrote the Human Torch, Submariner. I worked my way down. I started off at the high level, in the slick magazines, but they didn't use my name, they used house names. Anyway, then I went downhill to the pulps, then downhill further to the comics. I went downhill class-wise, but I went uphill, money-wise! I was making more money in the comics. I wrote the original Mike Hammer as a comic, Mike Danger.”

Mickey Spillane

Crime Time interview (2001)