Marino Marini: Quotes about horses

Marino Marini was Italian sculptor. Explore interesting quotes on horse.

Marino Marini: 22 quotes0 likes

“Equestrian statues have always served, through the centuries, a kind of epic purpose. They set out to exalt a triumphant hero, a conqueror like Marcus Aurelius... In the past fifty years, this ancient relation between man and beast has been entirely transformed. The horse has been replaced, in its economic and its military functions, by the machine, by the tractor, the automobile or the tank.”

Source: Interview with Edouard Roditi' (1958), p. 86

“My equestrian statues express the torment caused by the events of this century. the restlessness of my horse increases with each new work, the rider is always more exhausted, he has lost his domination of the beast and the catastrophes to which he succumbs resemble those that destroyed sodom and pompeii. I aspire to make visible the last stage of destruction of a myth, of the myth of heroic and victorious individualism, the humanists' man of virtue. my work in the last years doesn't want to be heroic, but tragic.”

Quote of Marini, 1972; as cited in 'Sculptures: Horsemen', on the website of the Marini Museum http://museomarinomarini.it/sculptures/?lang=en

“My equestrian figures are symbols of the anguish that I feel when I survey contemporary events. Little by little, my horses become more restless; their riders less and less able to control them. Man and beast are both overcome by a catastrophe similar to those that struck Sodom and Pompeii. So I am trying to illustrate the last stages of the disintegration of a myth, I mean the myth of the individual victorious hero, the 'uono di virtù' of the humanists..”

Source: Interview with Edouard Roditi' (1958), pp. 87-88

“Machines change their style so rapidly. If one tries to reproduce them in art as realistically as man and the horse in classical art, one immediately lapses into a kind of anecdotic or documentary art... Only the stylisation of a painter like Leger could integrate the machine as the subject matter of art. Here in Italy, the futurists, before 1914, attempted a similar integration of the machine.... César [French sculptor, in the generation of Marini] creates with elements borrowed from industry and the world of machines, sculptural fossils that appear to have survived the same kind of catastrophe as my own figures. But I would like to show you [ interviewer w:Eduard Roditi now in my studio my latest fossils..”

Source: Interview with Edouard Roditi' (1958), p. 89

“The Romantic painters were already addicted to a cult of the horse as an aristocratic beast.... From Géricault and Constantin Guys [both Romantic French painters] to Degas and Dufy, this cult of the horse found its expression in a new attitude towards sport and military life... In Odilon Redon’s visionary renderings of horses and later in those of Picasso and Chirico, we then see the horse become part of the fauna of a world of dreams and myths.”

Source: Interview with Edouard Roditi' (1958), p. 86