Marino Marini: Man

Marino Marini was Italian sculptor. Explore interesting quotes on man.

Marino Marini: 22 quotes0 likes

“Equestrian statues have always served, through the centuries, a kind of epic purpose. They set out to exalt a triumphant hero, a conqueror like Marcus Aurelius... In the past fifty years, this ancient relation between man and beast has been entirely transformed. The horse has been replaced, in its economic and its military functions, by the machine, by the tractor, the automobile or the tank.”

Source: Interview with Edouard Roditi' (1958), p. 86

“I am no longer seeking, in my own equestrian figures, to celebrate the triumph of any victorious hero. On the contrary, I seek to commemorate in them something tragic – in fact, a kind of 'Twilight of Man', a defeat rather than a victory. If you look back on all my equestrian figures of the past twelve years [between 1946 – 1958] you will notice that the rider is each time less in control of his mount, and that the latter is each time more wild in its terror, but frozen stiff, rather than reared or running away. All this is because I feel that we are on the eve of the end of a whole world.”

Source: Interview with Edouard Roditi' (1958), p. 87

“My equestrian statues express the torment caused by the events of this century. the restlessness of my horse increases with each new work, the rider is always more exhausted, he has lost his domination of the beast and the catastrophes to which he succumbs resemble those that destroyed sodom and pompeii. I aspire to make visible the last stage of destruction of a myth, of the myth of heroic and victorious individualism, the humanists' man of virtue. my work in the last years doesn't want to be heroic, but tragic.”

Quote of Marini, 1972; as cited in 'Sculptures: Horsemen', on the website of the Marini Museum http://museomarinomarini.it/sculptures/?lang=en

“My equestrian figures are symbols of the anguish that I feel when I survey contemporary events. Little by little, my horses become more restless; their riders less and less able to control them. Man and beast are both overcome by a catastrophe similar to those that struck Sodom and Pompeii. So I am trying to illustrate the last stages of the disintegration of a myth, I mean the myth of the individual victorious hero, the 'uono di virtù' of the humanists..”

Source: Interview with Edouard Roditi' (1958), pp. 87-88

“Machines change their style so rapidly. If one tries to reproduce them in art as realistically as man and the horse in classical art, one immediately lapses into a kind of anecdotic or documentary art... Only the stylisation of a painter like Leger could integrate the machine as the subject matter of art. Here in Italy, the futurists, before 1914, attempted a similar integration of the machine.... César [French sculptor, in the generation of Marini] creates with elements borrowed from industry and the world of machines, sculptural fossils that appear to have survived the same kind of catastrophe as my own figures. But I would like to show you [ interviewer w:Eduard Roditi now in my studio my latest fossils..”

Source: Interview with Edouard Roditi' (1958), p. 89