(9th May 1829) Change
(20th June 1829) Fame : An Apologue See The Vow of the Peacock, as The Three Brothers
(29th August 1829) First Grave See The Vow of the Peacock as The Single Grave
The London Literary Gazette, 1829

“I held that Love
Which chooseth from a thousand only one,
To be the object of that tenderness
Natural to every heart; which can resign
Its own best happiness for one dear sake;
Can bear with absence; hath no part in Hope,—
For Hope is somewhat selfish, Love is not,—
And doth prefer another to itself.”

Letitia Elizabeth Landon

A History of the Lyre
The Venetian Bracelet (1829)

“When civilization comes to a certain point, the changes in the higher classes are little more than those of fancies and of fashions; but those operating on the classes below are changes of character.”

Letitia Elizabeth Landon

No.4. Guy Mannering — LUCY BERTRAM.
Literary Remains

“Cradle of Letters! Mistress of the World!
Soil of the Sun! Italia! I salute thee!
How oft the human race have worn thy yoke.
The vessels of thine arms, thine arts, thy sky!”

Letitia Elizabeth Landon

Translations, From the French

“The huge dome of St. Paul's arose bathed in the moonlight, that giant fane of a giant city, a hundred spires were shining silvery in the soft gleam, and all meaner objects were touched with a picturesque obscurity: all around was silence and rest. The myriad voices of London were still, and nothing vexed the lulled ear of midnight.”

Letitia Elizabeth Landon

The Monthly Magazine

“God! that this Earth should be so beautiful,
And yet so wretched!”

Letitia Elizabeth Landon

(28th April 1824) Moonlight. T. C. Hofland.
The London Literary Gazette, 1824

“He enter'd now the garden, and a fall
Of singing, voice and lute, sank on his ear :
At first it seem'd thrice sweet and musical,
But it grew sadder as he came more near.”

Letitia Elizabeth Landon

9th September 1826) Metrical Fragments No. IV. - The Redeemed Captive (under the pen name Iole
(16th September 1826) Metrical Fragments No. V. - The Frozen Ship (under the pen name Iole) see The Vow of the Peacock
The London Literary Gazette, 1826

“Many and opposite are the lots in life, and unequal are the portions which they measure out to the children of earth. We cannot agree with those who contend that the difference after all is but in outward seeming. Such an assertion is often the result of thoughtlessness — sometimes the result of selfishness. It is one of the good points of human nature, that it revolts against human suffering. Few there are who can witness pain, whether of mind or of body, without pity, and the desire to alleviate; but such is our infirmity of purpose, that a little suffices to turn us aside from assistance. Indolence, difficulties, and contrary interests come in the way of sympathy, and then we desire to excuse our apathy to ourselves. It is a comfortable doctrine to suppose that the evil is made up by some mysterious allotment of good; it is an excuse for non-interference, and we let conscience sleep over our own enjoyments, taking it for granted others have them also — though how we know not.”

Letitia Elizabeth Landon

Literary Remains

“That day the youth was told the tale,
How she had pined beneath the veil
And died, and then they show'd her grave—
He knew that cypress's green wave. —
That night, alone, he watched his bride —
The next they laid him by her side.”

Letitia Elizabeth Landon

(18th September 1824) The Phantom Bride
The London Literary Gazette, 1824

“The path was new, and there was thrown
A sweet veil over pleasure's ray;
But ignorance is happiness,
When young Hope is to show the way;”

Letitia Elizabeth Landon

(12th January 1822) Ten Years Ago.
The London Literary Gazette, 1821-1822

“To use the established phrase, three months of uninterrupted happiness glided away—a phrase, though in frequent use, whose accuracy I greatly doubt; there being no such thing as uninterrupted happiness any how or any where.”

Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)