Joseph Addison: Trending quotes (page 3)

Song for St. Cecilia's Day (1692).
Context: Consecrate the place and day
To music and Cecilia.
Let no rough winds approach, nor dare
Invade the hallow'd bounds,
Nor rudely shake the tuneful air,
Nor spoil the fleeting sounds.
Nor mournful sigh nor groan be heard,
But gladness dwell on every tongue;
Whilst all, with voice and strings prepar'd,
Keep up the loud harmonious song,
And imitate the blest above,
In joy, and harmony, and love.

Song for St. Cecilia's Day (1692).
Context: When time itself shall be no more,
And all things in confusion hurl'd,
Music shall then exert it's power,
And sound survive the ruins of the world:
Then saints and angels shall agree
In one eternal jubilee:
All Heaven shall echo with their hymns divine,
And God himself with pleasure see
The whole creation in a chorus join.

Henry in Rosamond (c. 1707), Act III, sc. i.
Context: Where have my ravish'd senses been!
What joys, what wonders, have I seen!
The scene yet stands before my eye,
A thousand glorious deeds that lie
In deep futurity obscure,
Fights and triumphs immature,
Heroes immers'd in time's dark womb,
Ripening for mighty years to come,
Break forth, and, to the day display'd,
My soft inglorious hours upbraid.
Transported with so bright a scheme,
My waking life appears a dream.

No. 225.
The Tatler (1711–1714)
Context: Though a man has all other perfections, and wants discretion, he will be of no great consequence in the world; but if he has this single talent in perfection, and but a common share of others, he may do what he pleases in his station of life.

No. 101 (26 June 1711).
The Spectator (1711–1714)
Context: "Censure," says a late ingenious author, "is the tax a man plays for being eminent." It is a folly for an eminent man to think of escaping it, and a weakness to be affected with it. All the illustrious persons of antiquity, and indeed of every age in the world, have passed through this fiery persecution. There is no defense against reproach but obscurity; it is a kind of comitant to greatness, as satires and invectives were an essential part of a Roman triumph.

Source: The Campaign (1704), Line 287, the word "passed" was here originally spelt "past" but modern renditions have updated the spelling for clarity. An alteration of these lines occurs in Alexander Pope's satire The Dunciad, Book III, line 264, where he describes a contemporary theatre manager as an "Angel of Dulness":
Immortal Rich! how calm he sits at ease,
Midst snows of paper, and fierce hail of pease;
And proud his mistress' order to perform,
Rides in the whirlwind and directs the storm.

Source: The Campaign (1704), Line 101.
Context: Great souls by instinct to each other turn,
Demand alliance, and in friendship burn;
A sudden friendship, while with stretched-out rays
They meet each other, mingling blaze with blaze.
Polished in courts, and hardened in the field,
Renowned for conquest, and in council skilled,
Their courage dwells not in a troubled flood
Of mounting spirits, and fermenting blood:
Lodged in the soul, with virtue overruled,
Inflamed by reason, and by reason cooled,
In hours of peace content to be unknown.
And only in the field of battle shown:
To souls like these, in mutual friendship joined,
Heaven dares intrust the cause of humankind.

No. 225.
The Tatler (1711–1714)
Context: The cast of mind which is natural to a discreet man, make him look forward into futurity, and consider what will be his condition millions of ages hence, as well as what it is at present. He knows that the misery or happiness which are reserved for him in another world, lose nothing of their reality by being placed at so great a distance from him. The objects do not appear little to him because they are remote. He considers that those pleasures and pains which lie hid in eternity, approach nearer to him every moment, and will be present with him in their full weight and measure, as much as those pains and pleasures which he feels at this very instant. For this reason he is careful to secure to himself that which is the proper happiness of his nature, and the ultimate design of his being. He carries his thoughts to the end of every action, and considers the most distant as well as the most immediate effects of it. He supersedes every little prospect of gain and advantage which offers itself here, if he does not find it consistent with his views of an hereafter. In a word, his hopes are full of immortality, his schemes are large and glorious, and his conduct suitable to one who knows his true interest, and how to pursue it by proper methods.

No. 101 (26 June 1711), this has sometimes been quoted as "It is the privilege of posterity to set matters right between those antagonists who, by their rivalry for greatness, divided a whole age".
The Spectator (1711–1714)
Context: If men of eminence are exposed to censure on one hand, they are as much liable to flattery on the other. If they receive reproaches which are not due to them, they likewise receive praises which they do not deserve. In a word, the man in a high post is never regarded with an indifferent eye, but always considered as a friend or an enemy. For this reason persons in great stations have seldom their true characters drawn till several years after their deaths. Their personal friendships and enmities must cease, and the parties they were engaged in be at an end, before their faults or their virtues can have justice done them. When writers have the least opportunity of knowing the truth, they are in the best disposition to tell it.
It is therefore the privilege of posterity to adjust the characters of illustrious persons, and to set matters right between those antagonists who by their rivalry for greatness divided a whole age into factions.

Henry in Rosamond (c. 1707), Act III, sc. i.
Context: Where have my ravish'd senses been!
What joys, what wonders, have I seen!
The scene yet stands before my eye,
A thousand glorious deeds that lie
In deep futurity obscure,
Fights and triumphs immature,
Heroes immers'd in time's dark womb,
Ripening for mighty years to come,
Break forth, and, to the day display'd,
My soft inglorious hours upbraid.
Transported with so bright a scheme,
My waking life appears a dream.

This appears as an anonymous proverb in Frank Leslie's Sunday Magazine Vol. XIII, (January - June 1883) edited by T. De Witt Talmage, and apparently only in recent years has it become attributed to Addison.
Disputed

No. 574 (30 July 1714).
The Spectator (1711–1714)

Translation of Horace, Odes, Book III, ode iii.

Though sometimes attributed to Addison, this actually comes from a speech delivered by the Irish lawyer Charles Phillips in 1817, in the case of O'Mullan v. M'Korkill, published in Irish Eloquence: The Speeches of the Celebrated Irish Orators (1834) pp. 91-92.
Misattributed

Act V, scene iv.
Cato, A Tragedy (1713)

Very often attributed to Addison, this is in fact by Hugh Blair, published in Blair's Sermons (1815), Vol. 1, pp. 196-197.
Misattributed

No. 465, Ode (23 August 1712).
Also in The Polite Arts (1749), Chap. XXI. "Of Lyrick Poetry."
The Spectator (1711–1714)

Act V, scene i.
Cato, A Tragedy (1713)