José Saramago: Trending quotes (page 2)

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José Saramago: 276   quotes 146   likes

“But there is another way to speak of all this.”

Source: Raised from the Ground (1980), p. 4

“It is not pornography that is obscene, it is hunger that is obscene.”

Não é a pornografia que é obscena, é a fome que é obscena
Interview http://www.youtube.com/watch?v=vuohB_arwRE&lr=1 Programa Jô Soares, 1997.

“Once the machine starts to fly, the heavens will be filled with music.”

Voando a máquina, todo o céu será música.
Source: Baltasar and Blimunda (1982), p. 165

“My country is the Portuguese language.”

Fernando Pessoa (as Bernardo Soares), in The Book of Disquiet (1982)
Misattributed

“The young have the ability, but lack the wisdom, and the old have the wisdom, but lack the ability.”

Nem a juventude sabe o que pode nem a velhice pode o que sabe.
Source: The Cave (2000), p. 4 (Vintage 2003)

“If you can see, look. If you can look, observe.”

Se podes olhar, vê. Se podes ver, repara.
Epigraph
Blindness (1995)

“The universe has no news of our existence.”

O universo não tem notícia da nossa existência.
Interview with Adelino Gomes, Público, 13 November, 2005.

“A writer is a man like any other: he dreams. And my dream was to be able to say of this book, when I finished: 'This is a book about Alentejo.”

Quoted in José Saramago: il bagaglio dello scrittore‎, page 41, by Giulia Lanciani, published by Bulzoni, 1996 ISBN 8871199332, 9788871199337 (256 pages).

“The question suddenly came into my head, 'And if we were all blind?' And then immediately, as if answering myself, 'But we are all blind.”

Um dia, sentado à mesa, pensei: E se fôssemos todos cegos? Imediatamente me veio a resposta: Nós somos todos cegos.
On the idea for his next novel (Blindness), which came to him while sitting in a restaurant; New York Times interview with Alan Riding (1998), as quoted in Portuguese Literary & Cultural Studies, 6th Edition (Center for Portuguese Studies and Culture, 2001), p. 131.

“…I'm not able to fear death… We will all turn skeletons and everything shall end. The skeleton becomes, therefore, the most radical form of nudity.”

ÉPOCA Interview (in Portuguese) http://revistaepoca.globo.com/Epoca/0,6993,EPT1061569-1666-1,00.html, São Paulo, 2005.