John Banville: Doing

John Banville is Irish writer. Explore interesting quotes on doing.
John Banville: 194 quotes0 likes

“When I won the Booker Prize, I said that it was nice to see a work of art winning this prize and I've never been forgiven for that. When you get a prize, you're suppose to be humble. Somebody was interviewing me and said, 'This is a great day for Ireland'. I said, 'Why? Ireland didn't do it, I did it.' I wasn't forgiven for that either. I don't wear the green jersey and I don't hobnob with Michael D in the Park, although I quite like Michael D.”

John Banville

John Banville: Who cares whodunnit? (2013)

“I hesitate to talk about Czech food. […] The people are very sweet, wonderfully cultured, very friendly, but my God how they eat that food I do not know. It is surely the most disgusting cuisine in the world.”

John Banville

John Banville: Using words to paint pictures of "magical" Prague (2006)

“I'm doing my best to not be too rude about it, but oh my God that Czech food…”

John Banville

John Banville: Using words to paint pictures of "magical" Prague (2006)

“The older I get, the more confused I get. I used to think that age would bring wisdom. It doesn't, it just brings confusion. But I find that this confusion is artistically useful. It's a kind of progression, a negative progression. It's moving into areas that you didn't know were there. It becomes more dreamlike all the time. When I was starting out as a novelist, I would have been furious if anyone said to me that novels are dream-like or that they're doing things the novelist didn't know he was doing. Now, I find that it's absolutely true.”

John Banville

Oblique dreamer (2000)

“I feel that over the past 15 years, there has been a steady move toward more populist work. I do feel - and of course I'm completely biased - that this year was a return to the better days of the 80s and early 90s. It was a very good short list and a decent jury; it didn't have any stand-up comedians or media celebs on it, and I think that's what the Man Booker prize should be. There are plenty of other rewards for middle-brow fiction. There should be one decent prize for [pause] real books.”

John Banville

14th time lucky (2005)

“My present study - a word that always makes me uneasy, I am not sure why - is a small apartment in a huge, anonymous, quadrilateral block in Dublin city centre. My window, the one I do not look out of, gives on to a courtyard where no one ever goes, and where the silence is day-long and almost pastoral. When I first began to come here to work, a dozen years ago, I used to shut my door on entering each morning and put the chain on. The place is clean, or cleanish, and, yes, well lighted. Here I am unassailable. Or so I like to imagine.”

John Banville

Writers' rooms: John Banville (2007)

“I could have kept [writing "Irish" novels such as Birchwood] and probably had a good deal more success than I did, especially on this side of the Atlantic. But you have to try to do many things. You have to try to do things that you actually think you're incapable of.”

John Banville

Once More Admired Than Bought, A Writer Finally Basks in Success (1990)

“I don't see why the young in Prague or Budapest or Warsaw shouldn't be allowed to go to hell in a handcart if they want to. They do it everywhere else and they have great fun doing so.”

John Banville

John Banville: Using words to paint pictures of "magical" Prague (2006)

“Art is like sex: when you're doing it, nothing else matters. Away from his desk the novelist can care deeply about the social, political, moral aspects of what he is writing but when he sits down to write, all those concerns fall away and nothing matters except the putting down of one carefully chosen word after another carefully chosen word, until a sentence is finished, then a paragraph, then a page, then a chapter, then a book. When I'm working I don't care about anything, not even myself. All my concentration is directed towards the making of the thing on the page. The rest is just stuff — even though it is the stuff of life.”

John Banville

John Banville, The Art of Fiction No. 200 (2009)

“I write in what we call Hiberno-English, and it would be disastrous to lose my literary accent, as both Joyce and Beckett began to do in exile. In their case the unique tone of voice they each unwittingly adopted only made for a deeper poetic intensity; I suspect if I were to undergo a similar loss the result would not be so productive.”

John Banville

How I Write: John Banville on ‘Ancient Light,’ Nabokov, and Dublin (2012)

“A work of art is not about something, it is something, in the same way that life is not something that has meaning, only significance. And art's intentions are entirely innocent – no comment, no opinion, no attempted coercion. All – all! – art attempts to do is to quicken the sense of life, to make vivid for the reader the mysterious predicament of being alive for a brief span in this exquisite and terrible world.”

John Banville

Fully Booked: Q & A with John Banville (2012)

“Benjamin Black is a craftsman and these are crafted works. I'm very proud of them. I think they're well made, but Banville is doing something else – he's trying to make a kind of poetry, I suppose. I'm a perfectionist. It's an illness but a good illness. It's a completely different method of writing. Banville writes with a fountain pen on paper in a manuscript book and Black works straight on to the screen. It could take me a whole morning to write a few sentences as Banville, but as Black I'd be very annoyed if I didn't have at least two or three pages done. This drives crime-writers crackers because they think I'm saying that their craft is not worth it. I'm simply saying it's a different thing. I don't know why they worry when I talk about speed; after all, Georges Simenon wrote his books in about 10 days.”

John Banville

John Banville: Who cares whodunnit? (2013)

“But trying to be a painter did teach me to look at the world in a very particular way—looking very closely at things, at colors, at how things form themselves in space — and I've always been grateful for that. You have all this space, and you have a figure: what do you do with it? And in a way that’s what all art is. How do we find a place for our creatures, or inventions, in this incoherent space into which we’re thrown?”

John Banville

John Banville, The Art of Fiction No. 200 (2009)

“It's amazing what success will do. I've just started a new book after taking a break of a year and a half since finishing 'The Book of Evidence,' and I'm fascinated to see if I can detect in myself a voice saying, 'Tone that bit down; make that bit easier; give them a few laughs,' which would be absolutely fatal. I don't think it's happening, but you can't tell what's happening beneath the surface.”

John Banville

Once More Admired Than Bought, A Writer Finally Basks in Success (1990)

“After all, who knows what the distant past was like? About Kepler and Copernicus, people often say, You captured the period so well! I always want to ask, How do you know? You weren't there either.”

John Banville

John Banville, The Art of Fiction No. 200 (2009)

“Doing what you do well is death. Your duty is to keep trying to do things that you don't do well, in the hope of learning.”

John Banville

John Banville, The Art of Fiction No. 200 (2009)

“They filmed it down in Wexford and I visited the set for about half an hour. I don't usually go near the set, because there's nothing for a writer to do there and you're constantly getting in the way. If I give a book to the movies, it's theirs. Writers often whinge about being betrayed by the movies – I have no sympathy for that. If you don't want a movie to be made, then don't sell your book to the movies.”

John Banville

John Banville: Who cares whodunnit? (2013)

“When I created Quirke, he was 6ft 6in and blond. But then a woman reader wrote to me and said, 'Why do you keep saying his hair is blond? It's not. It's brown.' I wrote back to her and told her that, of course, she was right. So I darkened his hair and now that he's being played by Gabriel Byrne; with each successive book he gets a bit smaller and smaller.”

John Banville

John Banville: Who cares whodunnit? (2013)

“My books must be an absolute nightmare to translate. I wouldn't do it. I had a couple of them in Japanese some years ago and my wife met a Japanese woman who said that she had read the books. And she asked her what the translations were like. This woman said they were the worst translation she had ever read in her life. She said she didn't recognise the books when she finally read them in English.”

John Banville

John Banville: Using words to paint pictures of "magical" Prague (2006)