Jerome David Salinger: Doing

Jerome David Salinger was American writer. Explore interesting quotes on doing.
Jerome David Salinger: 166 quotes22 likes

“I'm known as a strange, aloof kind of man. But all I'm doing is trying to protect myself and my work.”

Jerome David Salinger

Statements to New York Times reporter Lacey Fosburgh, as quoted in Salinger : A Biography (2000) by Paul Alexander; also in If You Really Want to Hear About It : Writers on J.D. Salinger and His Work (2006) by Catherine Crawford.
Context: There is a marvelous peace in not publishing. … It's peaceful. Still. Publishing is a terrible invasion of my privacy. I like to write. I live to write. But I write just for myself and my own pleasure. … I don't necessarily intend to publish posthumously, but I do like to write for myself. … I pay for this kind of attitude. I'm known as a strange, aloof kind of man. But all I'm doing is trying to protect myself and my work.

“It's funny. All you have to do is say something nobody understands and they'll do practically anything you want them to.”

Jerome David Salinger book The Catcher in the Rye

The Catcher in the Rye (1951)

“For joy, apparently, it was all Franny could do to hold the phone, even with both hands.”

Jerome David Salinger book Franny and Zooey

Franny and Zooey (1961), Zooey (1957)

“I love to write and I assure you I write regularly… But I write for myself, for my own pleasure. And I want to be left alone to do it.”

Jerome David Salinger

Interview in The Baton Rouge Advocate (1980), as quoted in "J.D. Salinger, author of 'Catcher in the Rye,' dies" in The Washington Post (28 January 2010) http://www.washingtonpost.com/wp-dyn/content/article/2010/01/28/AR2010012803177.html

“Do you know what I was smiling at? You wrote down that you were a writer by profession. It sounded to me like the loveliest euphemism I had ever heard. When was writing ever your profession? It's never been anything but your religion.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

“The facts at hand presumably speak for themselves, but a trifle more vulgarly, I suspect, than facts even usually do.”

Jerome David Salinger book Franny and Zooey

Franny and Zooey (1961), Zooey (1957)

“Seymour once said that all we do our whole lives is go from one little piece of Holy Ground to the next.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

“I remember wanting to do something about that enormous-faced wristwatch she was wearing — perhaps suggest that she try wearing it around her waist.”

Jerome David Salinger book Nine Stories

Nine Stories (1953), For Esmé — with Love and Squalor (1950)

“"You can say the Jesus Prayer from now till doomsday, but if you don't realize that the only thing that counts in the religious life is detachment, I don't see how you'll ever even move an inch. Detachment, buddy, and only detachment. Desirelessness. 'Cessation from all hankerings.' It's this business of desiring, if you want to know the goddam truth, that makes an actor in the first place. Why're you making me tell you things you already know? Somewhere along the line — in one damn incarnation or another, if you like — you not only had a hankering to be an actor or an actress but to be a good one. You're stuck with it now. You can't just walk out on the results of your own hankerings. Cause and effect, buddy, cause and effect. The only thing you can do now, the only religious thing you can do, is act. Act for God, if you want to — be God's actress, if you want to. What could be prettier? You can at least try to, if you want to — there's nothing wrong in trying." There was a slight pause. "You'd better get busy, though, buddy. The goddam sands run out on you every time you turn around. I know what I'm talking about. You're lucky if you get time to sneeze in this goddam phenomenal world."”

Jerome David Salinger book Franny and Zooey

Franny and Zooey (1961), Zooey (1957)

“"Could you try not aiming so much?" he asked me, still standing there. "If you hit him when you aim, it'll just be luck." He was speaking, communicating, and yet not breaking the spell. I then broke it. Quite deliberately. "How can it be luck if I aim?" I said back to him, not loud (despite the italics) but with rather more irritation in my voice than I was actually feeling. He didn't say anything for a moment but simply stood balanced on the curb, looking at me, I knew imperfectly, with love. "Because it will be," he said. "You'll be glad if you hit his marble — Ira's marble — won't you? Won't you be glad? And if you're glad when you hit somebody's marble, then you sort of secretly didn't expect too much to do it. So there'd have to be some luck in it, there'd have to be slightly quite a lot of accident in it."”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

“I think if you don't really like a girl, you shouldn't horse around with her at all, and if you do like her, then you're supposed to like her face, and if you like her face, you ought to be careful about doing crumby stuff to it, like squirting water all over it. It's really too bad that so much crumby stuff is a lot of fun sometimes.”

Jerome David Salinger book The Catcher in the Rye

Source: The Catcher in the Rye (1951), Chapter 9

“She wasn’t doing a thing that I could see, except standing there leaning on the balcony railing, holding the universe together.”

Jerome David Salinger book A Girl I Knew

A Girl I Knew (1948)

“I don't suppose a writing man ever really gets rid of his old crocus-yellow neckties. Sooner or later, I think, they show up in his prose, and there isn't a hell of a lot he can do about it.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

“I was half in love with her by the time we sat down. That's the thing about girls. Every time they do something pretty, even if they're not much to look at, or even if they're sort of stupid, you fall half in love with them, and then you never know where the hell you are. Girls. Jesus Christ. They can drive you crazy. They really can.”

Jerome David Salinger book The Catcher in the Rye

Source: The Catcher in the Rye (1951), Chapter 10

“"You know Adam?" Teddy asked him."Do I know who?""Adam. In the Bible."Nicholson smiled. "Not personally," he said dryly.”

Jerome David Salinger book Nine Stories

Nine Stories (1953), Teddy (1953)

“I'm just interested in finding out what the hell goes. I mean do you have to be a goddam bohemian type, or dead, for Chrissake, to be a real poet? What do you want — some bastard with wavy hair?”

Jerome David Salinger book Franny and Zooey

Source: Franny and Zooey (1961), Franny (1955), p. 19

“The thing is, it's really hard to be roommates with people if your suitcases are much better than theirs - if yours are really good ones and theirs aren't. You think if they're intelligent and all, the other person, and have a good sense of humor, that they don't give a damn whose suitcases are better, but they do. They really do. It's one of the reasons why I roomed with a stupid bastard like Stradlater. At least his suitcases were as good as mine.”

Jerome David Salinger book The Catcher in the Rye

Source: The Catcher in the Rye (1951), Chapter 15

“Do you know what I was smiling at? You wrote down that you were a writer by profession.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

It sounded to me like the loveliest euphemism I had ever heard. When was writing ever your profession? It's never been anything but your religion.
Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

“Lane was speaking now as someone does who has been monopolizing conversation for a good quarter of an hour or so and who believes he has just hit a stride where his voice can do absolutely no wrong.”

Jerome David Salinger book Franny and Zooey

Franny and Zooey (1961), Franny (1955)