James Baldwin: Trending quotes (page 2)

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“Nobody can stay in the garden of Eden,' Jacques said. And then: 'I wonder why.”

I have thought about Jacques' question since. Everyone, after all, goes the same dark road - and the road has a trick of being most dark, most treacherous, when it seems most bright - and it's true that nobody stays in the garden of Eden. Perhaps everybody has a garden of Eden, I don't know; but they have scarcely seen their garden before they see the flaming sword. Then, perhaps, life only offers the choice of remembering the garden or forgetting it. Either, or.
Pt. 1, Ch. 2 - p.22
Giovanni's Room (1956)

“I am beginning to feel like part of a travelling circus.”

Pt. 1, Ch. 3 - p.45
Giovanni's Room (1956)

“She is smiling and her eyes are kind but now the smile is purely social”

Pt. 1, Ch. 3 - p.62
Giovanni's Room (1956)

“I felt so aimless - like a tennis ball, bouncing, bouncing - I began to wonder where I'd land.”

Pt. 2, Ch. 4 - p.108
Giovanni's Room (1956)

“The primary distinction of the artist is that he must actively cultivate that state which most men, necessarily, must avoid: the state of being alone.”

"The Creative Process" (1962) originally published in The National Culture Center's Creative America (1962) and later published in The Price of the Ticket (1985)

“If a society permits one portion of its citizenry to be menaced or destroyed, then, very soon, no one in that society is safe. The forces thus released in the people can never be held in check, but run their devouring course, destroying the very foundations which it was imagined they would save.

But we are unbelievably ignorant concerning what goes on in our country--to say nothing of what goes on in the rest of the world--and appear to have become too timid to question what we are told. Our failure to trust one another deeply enough to be able to talk to one another has become so great that people with these questions in their hearts do not speak them; our opulence is so pervasive that people who are afraid to lose whatever they think they have persuade themselves of the truth of a lie, and help disseminate it; and God help the innocent here, that man or womn who simply wants to love, and be loved. Unless this would-be lover is able to replace his or her backbone with a steel rod, he or she is doomed. This is no place for love. I know that I am now expected to make a bow in the direction of those millions of unremarked, happy marriages all over America, but I am unable honestly to do so because I find nothing whatever in our moral and social climate--and I am now thinking particularly of the state of our children--to bear witness to their existence. I suspect that when we refer to these happy and so marvelously invisible people, we are simply being nostalgic concerning the happy, simple, God-fearing life which we imagine ourselves once to have lived. In any case, wherever love is found, it unfailingly makes itself felt in the individual, the personal authority of the individual. Judged by this standard, we are a loveless nation. The best that can be said is that some of us are struggling. And what we are struggling against is that death in the heart which leads not only to the shedding of blood, but which reduces human beings to corpses while they live.”

Source: nothing personal

“It is true that two wrongs don't make a right, as we love to point out to the people we have wronged. But one wrong doesn't make a right, either.”

"Negroes Are Anti-Semitic Because They're Anti-White" http://www.nytimes.com/books/98/03/29/specials/baldwin-antisem.html in The New York Times (9 April 1967)
Context: It is true that two wrongs don't make a right, as we love to point out to the people we have wronged. But one wrong doesn't make a right, either. People who have been wronged will attempt to right the wrong; they would not be people if they didn't. They can rarely afford to be scrupulous about the means they will use. They will use such means as come to hand. Neither, in the main, will they distinguish one oppressor from another, nor see through to the root principle of their oppression.

“Anyone who has ever struggled with poverty knows how extremely expensive it is to be poor.”

"Fifth Avenue, Uptown: a Letter from Harlem" in Esquire (July 1960); republished in Nobody Knows My Name: More Notes of a Native Son (1961)