Henri Matisse: Work

“I didn't expect to recover from my second operation but since I did, I consider that I'm living on borrowed time. Every day that dawns is a gift to me and I take it in that way. I accept it gratefully without looking beyond it. I completely forget my physical suffering and all the unpleasantness of my present condition and I think only of the joy of seeing the sun rise once more and of being able to work a little bit, even under difficult conditions.”

Henri Matisse

Way , Thinking , Suffering , Time

“Tomorrow, Sunday, at 4 o'clock, visit from Picasso. As I'm expecting to see him tomorrow, my mind is at work. I'm doing this propaganda show [at the Victoria and Albert Museum in London, 1945] with him. I can imagine the room with my pictures on one side, and his on the other. It's as if I were going to cohabit with an epileptic.”

Henri Matisse

Quote of Matisse in his notebook, c. April 1945; as cited in 'Matisse & Picasso', Paul Trachtman, Smithsonian Magazine, February 2003, p. 6
1940s

Imagination

“The work of Renoir, after that of Cézanne whose great influence had been manifested among artists, save us from whatever drying effect there is in pure abstraction. The rules that one might deduce in considering the work of these two masters appear to be more difficult to discover in the work of Renoir, who hides his efforts better. Whereas the continuous tension of the mind of Cézanne, his lack of self-confidence, prevent him from giving himself to us entirely even though he shows the evidence of his corrections, from which are easily (too easily) deduced rules that have a mathematical precision.”

Henri Matisse

critical quote on Cubism
In a short text of Matisse, 1918, written for the catalogue of 'Den Franske Utstilling', 1918, Copenhagen; as quoted in Matisse on Art, Jack Flam, University of California Press 1995 p. 272, note 2
1910 - 1920

Quotes , Confidence , Mathematics , Effort

“Delacroix's composition is more entirely created, while that of Seurat employs matter organized scientifically, reproducing, presenting t our eyes objects constructed by scientific means rather than by signs, coming from our feeling. As result there is in his works a positivism, a slightly inert stability, coming from his composition, which is not the result of a creation of the mind, but of a juxtaposition of the objects. It is necessary to cross this barrier to re-feel light, colored and soft, and pure, the noblest pleasure”

Henri Matisse

In a letter to Camoin, Autumn 1914; as quoted in Matisse on Art, Jack Flam, University of California Press 1995 p. 275, note 5
1910s

Pleasure , Color , Feeling , Light

“Expression for me does not reside in passions glowing in a human face or manifested by violent movement. The entire arrangement of my picture is expressive; the place occupied by my figures, the empty space around them, the proportions, everything has its share. Composition is the art of arranging in a decorative manner the diverse elements at the painter's command to express his feelings. In a picture every part will be visible and will play its appointed role, whether it be principal or secondary. Everything that is not useful in the picture is, it follows, harmful. A work of art must be harmonious in its entirety: any superfluous detail would replace some other essential detail in the mind of the spectator.”

Henri Matisse

1905 - 1910, Notes of a Painter' (1908)

Art , Feeling , Passion , Parting

“Do I believe in God? Yes, when I am working. When I am submissive and modest, I feel myself to be greatly helped by someone who causes me to do things that exceed my capabilities. However, I cannot acknowledge him because it is as if I were to find myself before a conjuror whose sleight of hand eludes me.”

Henri Matisse

Si je crois en Dieu? Oui, quand je travaille. Quand je suis soumis et modeste, je me sens tellement aidé par quelqu'un qui me fait faire des choses qui me surpassent. Pourtant je ne me sens envers lui aucune reconnaissance car c'est comme si je me trouvais devant un prestidigitateur dont je ne puis percer les tours.
1940s, Jazz (1947)

God , Feeling , Help

“My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the very nature of each experience. I.... merely try to find a color that will fit my sensation. There is an impelling proportion of tones that can induce me to change the shape of a figure or to transform my composition. Until I have achieved this proportion in all the parts of the composition I strive towards it and keep on working. Then a moment comes when every part has found its definite relationship, and from then on it would be impossible for me to add a stroke to my picture without having to paint it all over again.”

Henri Matisse

Source: 1905 - 1910, Notes d'un Peintre' (Notes of a Painter) (1908), p. 412

Color , Feeling , Nature , Change

“"I do not literally paint that table, but the emotion it produces upon me."
After a pause full of intense thought on my part, I asked: "But if one hasn't always emotion. What then?"
"Do not paint," he quickly answered. "When I came in here to work this morning I had no emotion, so I took a horseback ride. When I returned I felt like painting, and had all the emotion I wanted.”

Henri Matisse

Interview with Clara T. MacChesney (1912), in Matisse on Art (1995) edited by Jack D. Flam, p. 66
1910s

Parting , Painting

“A work of art must carry in itself its complete significance and impose it upon the beholder even before he can identify the subject-matter. When I see the Giotto frescoes at Padua I do not trouble to recognize which scene of the life of Christ I have before me, but I perceive instantly the sentiment which radiates from it and which is instinct in the composition in every line and color.”

Henri Matisse

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 413