Henri Matisse: Quotes about colors

Henri Matisse was French artist. Explore interesting quotes on color.
Henri Matisse: 120 quotes38 likes

“From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.”

Henri Matisse

“A little while ago I took a nap under an olive tree, and the color harmonies I saw were so touching. It's like a paradise you have no right to analyze, but you are a painter, for God's sake! Nice is so beautiful! Alight so soft and tender, despite its brilliance.”

Henri Matisse

In a letter to a friend, Nice 1918, as quoted in 'Matisse & Picasso', Paul Trachtman, Smithsonian Magazine, February 2003, p. 6
1910s

“It is only after years of preparation that the young [artist] should touch color — not color used descriptively, that is, but as a means of personal expression.”

Henri Matisse

As quoted by Theodore F. Wolff in The Christian Science Monitor (25 March 1985)
Posthumous quotes

“The future painter must feel what is useful for his development – drawing or even sculpture everything that will let him become one with Nature, identify himself with her, by entering into the things – which is what I call Nature – that arouse his feelings. I believe study by means of drawing is most essential. If drawing is of the Spirit and color of the Senses, you must draw first, to cultivate the spirit and to be able to lead color into spiritual paths.”

Henri Matisse

In a letter to Mr. Clifford, February 14, 1948; as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 238-239
1940s

“Delacroix's composition is more entirely created, while that of Seurat employs matter organized scientifically, reproducing, presenting t our eyes objects constructed by scientific means rather than by signs, coming from our feeling. As result there is in his works a positivism, a slightly inert stability, coming from his composition, which is not the result of a creation of the mind, but of a juxtaposition of the objects. It is necessary to cross this barrier to re-feel light, colored and soft, and pure, the noblest pleasure”

Henri Matisse

In a letter to Camoin, Autumn 1914; as quoted in Matisse on Art, Jack Flam, University of California Press 1995 p. 275, note 5
1910s

“My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the very nature of each experience. I.... merely try to find a color that will fit my sensation. There is an impelling proportion of tones that can induce me to change the shape of a figure or to transform my composition. Until I have achieved this proportion in all the parts of the composition I strive towards it and keep on working. Then a moment comes when every part has found its definite relationship, and from then on it would be impossible for me to add a stroke to my picture without having to paint it all over again.”

Henri Matisse

Source: 1905 - 1910, Notes d'un Peintre' (Notes of a Painter) (1908), p. 412

“To paint an autumn landscape I will not try to remember what colors suit this season, I will only be inspired by the sensation that the season gives me; the icy clearness of the sour blue sky will express the season just as well as the tonalities of the leaves. My sensation itself may vary, the autumn may be soft and warm like a protracted summer or quite cool with a cold sky and lemon yellow trees that give a chilly impression and announce winter.”

Henri Matisse

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 412

“Drawing with scissors: To cut to the quick in color reminds me of the direct cutting of sculptors.”

Henri Matisse

Dessiner avec les ciseaux: découper à vif dans la couleur me rappelle la taille directe des sculpteurs.
1940s, Jazz (1947)

“The chief aim of color should be to serve expression as well as possible. I put down my colors without a preconceived plan. If at the first step and perhaps without my being conscious of it one tone has particularly pleased me, more often then not when the picture is finished, I will notice that I have respected this tone while I have progressively altered and transformed the others. I discover the quality of colors in a purely instinctive way.”

Henri Matisse

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 412

“A work of art must carry in itself its complete significance and impose it upon the beholder even before he can identify the subject-matter. When I see the Giotto frescoes at Padua I do not trouble to recognize which scene of the life of Christ I have before me, but I perceive instantly the sentiment which radiates from it and which is instinct in the composition in every line and color.”

Henri Matisse

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 413

“I am forced to transpose until finally my picture may seem completely changed when, after successive modifications, the red has succeeded the green as the dominant color. I cannot copy nature in a servile way, I must interpret nature and submit it to the spirit of the picture – when I have found the relationship of all the tones the result must be a living harmony of tones, a harmony not unlike that of a musical composition”

Henri Matisse

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 411