Henri Cartier-Bresson: Photograph

Henri Cartier-Bresson was French photographer. Explore interesting quotes on photograph.
Henri Cartier-Bresson: 66   quotes 13   likes

“Your first 10,000 photographs are your worst.”

Henri Cartier-Bresson

“To photograph is to hold one's breath, when all faculties converge to capture fleeting reality. It's at that precise moment that mastering an image becomes a great physical and intellectual joy.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: The Mind's Eye: Writings on Photography and Photographers

Reality , Joy

“Photographers deal in things which are continually vanishing and when they have vanished there is no contrivance on earth which can make them come back again.”

Henri Cartier-Bresson

“We had a certain idea of our work, a respect for others, and above all, [we were determined] not to be paparazzi. For the photographer, curiosity is essential, the terrible counterpart is indiscretion, which is a lack of restraint.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Photographing Is Nothing, Looking Is Everything! Interview with Philippe Boegner (1989), p. 115

Idea

“There are photographers who invent, others who discover. Personally, I am interested in discoveries, not for the trials or experiences but to capture life itself. I flee from the dangers of the anecdote and the picturesque, which are very easy and better than sensational, but quite as bad. To my mind, photography has the power to evoke, and must not simply document. We have to be abstract, just like nature.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, To Seize Life: Interview with Yvonne Baby (1961), p. 44

Life , Nature , Personality

“Anybody can take photographs. I have seen in the Herald Tribune some taken by a monkey that managed, with a Polaroid camera, as well as some camera owners. It is precisely because our profession is open to everyone that it remains, in spite of its fascinating ease, extremely difficult.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, To Seize Life: Interview with Yvonne Baby (1961), p. 45

“Nobody at Magnum decides for the other what he should do and everyone is free to tell someone else: “Well, what about this story? I don’t like it for this and that reason — because of this picture.” It is extremely fruitful to have somebody to talk to as an equal. This give and take is a most profitable thing because we keep learning from each other. I keep learning from the younger members just as I learned from Bob [Robert] Capa and Chim [David Seymour] how to make picture stories. Cornell Capa, for instance, has a very keen journalistic sense; and as for the other photographer, each makes his own contribution. Everybody in Magnum has full freedom; there’s no doctrine, there is no school, but there is something that unites all of us very strongly — I can’t define it; it may be a certain feeling of freedom and a respect for reality.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Conversation. Interview with Byron Dobell (1957), pp. 34-35

School , Feeling , Reality , Sense

“If I am asked about the photographer’s role in our times, the power of the image and so on, I do not want to launch into explanations. I only know that people who know how to look are as rare as those who know how to listen.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, To Seize Life: Interview with Yvonne Baby (1961), p. 45

People , Time

“This book [Zen in the Art of Archery], by Herrigel, which I discovered a few years ago, seems to me fundamental to our profession as photographers. Matisse wrote similarly about drawing: set a discipline, make rigor a rule, forget oneself completely. And in photography the attitude must be the same: detach oneself, do not try to prove anything at all. My sense of freedom is the same: a frame that allows any variation. This is the basis of Zen Buddhism, the evidence: that you go in with great force and then you succeed in forgetting yourself.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Only Geometricians May Enter: Interview with Yves Bourde (1974), p. 65

Books , Art , Sense , Freedom

“A contact sheet is so interesting, because you see how a photographer thinks. He comes closer and closer to a subject, corrects it, looks at it again, and then with tiny movements turns around until it is in exactly the right and exact relation to him. Contact sheets may be compared to the way you drive a nail into a plank. First you give several light taps to build up a rhythm and align the nail with the wood. Then, much more quickly, and with as few strokes as possible, you hit the nail forcefully on the head and drive it in.”

Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Conversation. Interview with Byron Dobell (1957), p. 37

Way , Thinking , Light