Girish Raghunath Karnad Quotes

Girish Karnad was an Indian actor, film director, Kannada writer, playwright and a Jnanpith awardee, who predominantly worked in Kannada, Hindi, Tamil, Telugu, Malayalam and Marathi films. His rise as a playwright in the 1960s marked the coming of age of modern Indian playwriting in Kannada, just as Badal Sarkar did in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh in Hindi. He was a recipient of the 1998 Jnanpith Award, the highest literary honour conferred in India.For four decades Karnad composed plays, often using history and mythology to tackle contemporary issues. He translated his plays into English and received acclaim. His plays have been translated into some Indian languages and directed by directors like Ebrahim Alkazi, B. V. Karanth, Alyque Padamsee, Prasanna, Arvind Gaur, Satyadev Dubey, Vijaya Mehta, Shyamanand Jalan, Amal Allanaa and Zafer Mohiuddin.He was active in the world of Indian cinema working as an actor, director and screenwriter, in Hindi and Kannada cinema, and has earned awards.

He was conferred Padma Shri and Padma Bhushan by the Government of India and won four Filmfare Awards, of which three are Filmfare Award for Best Director – Kannada and the fourth a Filmfare Best Screenplay Award. He was a presenter for a weekly science magazine programme called "Turning Point" that aired on Doordarshan in 1991. Wikipedia  

✵ 19. May 1938 – 10. June 2019
Girish Raghunath Karnad: 8   quotes 3   likes

Famous Girish Raghunath Karnad Quotes

“I have been lucky in having multipronged career. You know how I have been an actor, a publisher, a film maker. But in none of these fields have I felt quite as much at home as play writing.”

Source: [Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 117-18]

“When people all around us are slaughtered in the name of a temple (and masjid) I hear echoes from those times long past.”

Said while producing a picture called Tale danda on the subject of relationship of religion to politics.[Natesan Sharda Iyer, Musings on Indian Writing in English: Drama, http://books.google.com/books?id=e2_aFo5sAroC&pg=PA137, 1 January 2007, Sarup & Sons, 978-81-7625-801-2, 135]

“What a person understands as his or her Purusharthas could very according to his or her background stageand station in life, sex, etc., as well as the nature of the crisis he or she is facing”

In this, Purushartha means "that which is sought by man; human purpose, aim, or end." Quoted in[Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 59–]

“I was excited by the story of Yayati. This exchange of ages between the father and the son, which seemed to be terribly powerful and terribly modern. At the same time I was reading a lot of Sartre and the Existentialist. This consistent harping on responsibility which the Existentialist indulge in suddenly seemed to link up with the story of Yayati.”

This story of Yayati from the Mahabhrata generated interst in him to become a playwright and he explains this here.[Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 120]

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