Germaine Greer: Herring

“If Judith Leyster had not been in the habit of signing her work with the monogram JL attached to a star, a pun on the name her father had taken from his brewery, Leyster or Lodestar, her works might never have been reattributed to her”

Germaine Greer The Obstacle Race: The Fortunes of Women Painters and Their Work

Source: The Obstacle Race (1979), Chapter VII: The Disappearing Oeuvre (p. 136)
Context: By 1627 Judith Leyster was famous enough to be mentioned in Ampzing's description of the city of Haarlem; by 1661 she had been so far forgotten that De Bie does not mention her in his Golden Cabinet. Her eclipse by Frans Hals may have begun in her own lifetime, as a consequence of her marriage to Molenaer perhaps, for Sir Luke Schaub acquired the painting now known as The Jolly Companions as a Hals in Haarlem in the seventeenth century.
If Judith Leyster had not been in the habit of signing her work with the monogram JL attached to a star, a pun on the name her father had taken from his brewery, Leyster or Lodestar, her works might never have been reattributed to her: few paintings can boast of a provenance as clear as that of The Jolly Companions. As a result of the discovery that The Jolly Companions bore Leyster's monogram, the English firm which had sold the painting to Baron Schlichting in Paris as a Hals attempted to rescind their own purchase and get their money back from the dealer, Wertheimer, who had sold it to them for £4500 not only as a Hals but "one of the finest he ever painted." Sir John Millars agreed with Wertheimer about the authenticity and value of the painting. The special jury and the Lord Chief Justice never did get to hear the case, which was settled in court on 31st May 1893, with the plaintiffs agreeing to keep the painting for £3500 plus £500 costs. The gentlemen of the press made merry at the experts' expense, for all they had succeeded in doing was in destroying the value of the painting. Better, they opined, to have asked no questions. At no time did anyone throw his cap in the air and rejoice that another painter, capable of equalling Hals at his best, had been discovered.

Star

“The stereotype is the Eternal Feminine. She is the Sexual Object sought by all men, and by all woman. She is of neither sex, for she has herself no sex at all. Her value is solely attested by the demand she excites in others. All she must contribute is her existence.”

Germaine Greer book The Female Eunuch

The Stereotype
The Female Eunuch (1970)
Context: The stereotype is the Eternal Feminine. She is the Sexual Object sought by all men, and by all woman. She is of neither sex, for she has herself no sex at all. Her value is solely attested by the demand she excites in others. All she must contribute is her existence. She need achieve nothing, for she has herself no sex at all. her value is solely attested by the demand she excites in others. All she must contribute is her existence. She need achieve nothing, for she is the reward of achievement. She need never give positive evidence of her moral character because virtue is assumed from her loveliness, and her passivity.

Men , Sex

“Every woman knows that, regardless of all her other achievements, she is a failure if she is not beautiful.”

Germaine Greer

Source: The Whole Woman

Beauty , Failure

“Yet if a woman never lets herself go, how will she ever know how far she might have got? If she never takes off her high-heeled shoes, how will she ever know how far she could walk or how fast she could run?”

Germaine Greer

Shoe

“Many a housewife staring at the back of her husband's newspaper, or listening to his breathing in bed is lonelier than any spinster in a rented room.”

Germaine Greer

Loneliness

“In a sane society no woman would be left to struggle on her own with the huge transformation that is motherhood, when a single individual finds herself joined by an invisible umbilical cord to another person from whom she will never be separated, even by death.”

Germaine Greer

Mothers (pg. 209)
The Whole Woman (1999)

Death , Personality

“Nothing is more chilling than such a spectacle of unremitting self-sacrifice. This is a woman born to be abandoned by her ungrateful husband at the very pinnacle of success she helped to make for him, for a shameless hussy of nineteen.”

Germaine Greer book The Female Eunuch

The Psychological Sell
The Female Eunuch (1970)

Success , Help

“Man is jealous because of his amour propre; woman is jealous because of her lack of it.”

Germaine Greer book The Female Eunuch

Love: Egotism (p. 155) http://books.google.com/books?id=mhi0AAAAIAAJ&q=%22Man+is+jealous+because+of+his+amour%22+%22woman+is+jealous+because+of+her+lack+of+it%22&pg=PA155 http://books.google.com/books?id=dtnbrx0pOI4C&q=%22Man+is+jealous+because+of+his+amour+propre+woman+is+jealous+because+of+her+lack+of+it%22&pg=PT170#v=onepage
The Female Eunuch (1970)