Georges Braque: Quotes about painting

Georges Braque was French painter and sculptor. Explore interesting quotes on painting.

Georges Braque: 86 quotes3 likes

“Whatever is valuable in painting is precisely what one is incapable of talking about.”

two quotes by Braque, in 'Les Problèmes de la Peinture', interview with Gaston Diehl Paris 1945
1921 - 1945

“It is the act of painting, not the finished painting.”

1946 - 1963, interview with John Richardson' (1957)

“What greatly attracted me – and it was the main line of advance of Cubism – was how to give material expression to this new space of which I had an inkling. So I began to paint chiefly still life's, because in nature there is a tactile, I would almost say a manual space. I wrote about this moreover 'When a still-life is no longer within reach, it ceases to be a still-life…'. For me that expressed the desire I have always had to touch a thing, not just to look at it. It was that space that attracted me strongly, for that was the earliest Cubist painting – the quest for space.”

Georges Braque

Source: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 264

“The only valid thing in art is that which cannot be explained. To explain away the mystery of a great painting – if such a feat were possible – would be irreparable harm… If there is no mystery then there is no 'poetry', the quality I value above all else in art. What do I mean by 'poetry'? It is to a painting what life is to man… For me it is a matter of harmony, of rapports, of rhythm and – most important for my own work – of 'metamorphosis”

Georges Braque

1946 - 1963, interview with John Richardson' (1957)

“…when objects shattered into fragments appeared in my painting about 1909; this for me was a way of getting closest to the object... Fragmentation helped me to establish space and movement in space.”

Georges Braque

Source: posthumous quotes, Braque', (1968), p. 55

“When we were so friendly with Picasso, there was a time when we had difficulty in recognizing our own pictures. Later, when the revelation went deeper, differences appeared. Revelation is the one thing that cannot be taken from you. But before the revelation took place, there was still a marked intention of carrying painting in a direction that could re-establish the bond between Picasso and ourselves.”

Georges Braque

Braque is referring in this quote to the early common start of Cubism ca. 1907 -1910, in Paris with Picasso
Source: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 265

“Take the birds which you'll have noticed in so many of my recent paintings. I never thought them up, they just materialized of their own accord, they were born on the canvas; that is why it is absurd to read any sort of symbolic significance into them.”

Georges Braque

1946 - 1963, interview with John Richardson' (1957)

“I will try to explain what I mean by metamorphosis. For me no object can be tied down to any sort of reality. A stone may be part of a wall, a piece of sculpture, a lethal weapon, a pebble on a beach or anything else you like.... when you ask me whether a particular in one of my paintings depicts a woman's head, a fish, a vase, a bird, or all four at once, I can't give you a categorical answer, for this 'metamorphosic' confusion is fundamental to the poetry.”

Georges Braque

1946 - 1963, interview with John Richardson' (1957)

“By using a white paint applied to the canvas I make a napkin. But I am sure the white shape is something conceived before knowing what it was to become. This means that a certain transformation has taken place... In a painting, what counts is the unexpected.”

Georges Braque

Quote by Braque, from 'Le Monologue du Peintre', George Charbonnier, Paris 1959
1946 - 1963

“I would say that it was 'poetry' which distinguishes the cubist paintings which Picasso and I arrived at intuitively from the lifeless sort of painting which those who followed us tried, with such unfortunate results, to arrive at theoretically.”

Georges Braque

1946 - 1963, interview with John Richardson' (1957)

“Tactile space separates us from objects, as opposed to visual space, which separates objects from one another. I have spent my life trying to paint the former kind.”

Georges Braque

Quote of Braque to John Richardson, in 'Braque Discusses His Art', in 'Realités', no. 93, August 1958, p. 28
1946 - 1963

“What particularly attracted me [in his painting 'Still-life with Musical instruments', 1908 – 1909].... was the materialization of this new space that I felt to be in the offing. So I began to concentrate on still-life's, because in the still-life you have a tactile, I might almost say a manual space... This answered to the hankering I have always had to touch things and not merely see them. It was this space that particularly attracted me, for this was the first concern of Cubism, the investigation of space.... In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. This is what led me, long ago, from landscape to still-life.”

Georges Braque

Source: posthumous quotes, Braque', (1968), p. 41

“In art progress does not consist in extension, but in the knowledge of limits.
Limitation of means determines style, engenders new form, and give impulses to creation.
Limited means often constitute the charm and force of primitive painting. Extension, on the contrary, leads the arts to decadence.
New means, new subjects.
The subject is not the object; it is a new unity, a lyricism which grows completely from the means.”

Georges Braque

Source: 1908 - 1920, quotes from Artists on Art...(1972), p. 423 - short quotes by Georges Braque on 'Means' - Paris, 1917

“If I have called Cubism a new order, it is without any revolutionary ideas or any reactionary ideas... One cannot escape form one's own epoch, however revolutionary one may be. I do not think my painting has ever been revolutionary. It was not directed against any kind of painting. I have never wanted to prove that I was right and someone else wrong... If there is a touch of reaction, since life imposes that, it is minute. And then it is so difficult to judge a thing historically, separated from its environment: it is the relationship between a man and what he does that counts. That's what good and touches us.”

Georges Braque

Source: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 265

“Speaking purely for myself, I can say that it was my very acute feeling for the matière, for the substance of painting, which pushed me into thinking about the possibilities of the medium. I wanted to create a kind of substance by means of brush-work. But that is the kind of discovery which one makes gradually, though once a beginning had been made other discoveries follow. Thus it was that I subsequently began to introduce sand, sawdust and metal filings into my pictures. For I suddenly saw the extent to which colour is related to the substance... So my great delight was the 'material' character which I could give to my pictures by introducing these extraneous elements. In short, they provided me with a means of getting further away from idealism in 'representing' the things with which I was concerned.”

Georges Braque

Source: 1921 - 1945, p. 76 - quote of Braque from 'Cahiers d'art', 1954, ed. Dora Vallier

“The whole Renaissance tradition is antipathic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cézanne and after him Picasso and myself can take a lot of credit for this.... scientific perspective forces the objects in a picture to disappear away from the beholder instead of bringing them within his reach as painting should.”

Georges Braque

1946 - 1963, interview with John Richardson' (1957)

“The painting is finished when it has erased the idea.”

Georges Braque

as quoted in Georges Braque: A Life (2005), p. 191 https://books.google.com/books?id=G2aWVKnJWaYC&pg=PA191 <br class="br">posthumous quotes