Georges Braque: Mean

“It is the limitation of means that determine style, gives rise to new forms and makes creativity possible.”

Georges Braque

1921 - 1945

“At that time I was very friendly with Picasso. Our temperaments were very different, but we had the same idea. Later on it became clear, Picasso is Spanish and I am French; as everyone knows that mean a lot of differences, but during those days the differences did not count… We were living in Montmartre, we used to meet every day, we used to talk... In those years Picasso and I said things to each other that nobody will ever say again, that nobody could say any more... It was rather like a pair of climbers roped together.”

Georges Braque

Source: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 264 - Braque's quote is referring to the early common starting years of Cubism in Paris with Picasso, ca. 1907 -1910

Idea , Time

“The only valid thing in art is that which cannot be explained. To explain away the mystery of a great painting – if such a feat were possible – would be irreparable harm… If there is no mystery then there is no 'poetry', the quality I value above all else in art. What do I mean by 'poetry'? It is to a painting what life is to man… For me it is a matter of harmony, of rapports, of rhythm and – most important for my own work – of 'metamorphosis”

Georges Braque

1946 - 1963, interview with John Richardson' (1957)

Life , Art , Painting

“I will try to explain what I mean by metamorphosis. For me no object can be tied down to any sort of reality. A stone may be part of a wall, a piece of sculpture, a lethal weapon, a pebble on a beach or anything else you like.... when you ask me whether a particular in one of my paintings depicts a woman's head, a fish, a vase, a bird, or all four at once, I can't give you a categorical answer, for this 'metamorphosic' confusion is fundamental to the poetry.”

Georges Braque

1946 - 1963, interview with John Richardson' (1957)

Bird , Reality , Fish , Parting

“By using a white paint applied to the canvas I make a napkin. But I am sure the white shape is something conceived before knowing what it was to become. This means that a certain transformation has taken place... In a painting, what counts is the unexpected.”

Georges Braque

Quote by Braque, from 'Le Monologue du Peintre', George Charbonnier, Paris 1959
1946 - 1963

Painting

“In art progress does not consist in extension, but in the knowledge of limits.
Limitation of means determines style, engenders new form, and give impulses to creation.
Limited means often constitute the charm and force of primitive painting. Extension, on the contrary, leads the arts to decadence.
New means, new subjects.
The subject is not the object; it is a new unity, a lyricism which grows completely from the means.”

Georges Braque

Source: 1908 - 1920, quotes from Artists on Art...(1972), p. 423 - short quotes by Georges Braque on 'Means' - Paris, 1917

Art , Knowledge , Painting

“Speaking purely for myself, I can say that it was my very acute feeling for the matière, for the substance of painting, which pushed me into thinking about the possibilities of the medium. I wanted to create a kind of substance by means of brush-work. But that is the kind of discovery which one makes gradually, though once a beginning had been made other discoveries follow. Thus it was that I subsequently began to introduce sand, sawdust and metal filings into my pictures. For I suddenly saw the extent to which colour is related to the substance... So my great delight was the 'material' character which I could give to my pictures by introducing these extraneous elements. In short, they provided me with a means of getting further away from idealism in 'representing' the things with which I was concerned.”

Georges Braque

Source: 1921 - 1945, p. 76 - quote of Braque from 'Cahiers d'art', 1954, ed. Dora Vallier

Feeling , Thinking , Painting

“Thanks to the oval I have discovered the meaning of the horizontal and the vertical.”

Georges Braque

as quoted in Abstract Painting, Michel Seuphor, Dell Publishing Co. (1964); p. 39
posthumous quotes