Dorothy Parker: Trending quotes

Dorothy Parker trending quotes. Read the latest quotes in collection

Dorothy Parker: 344 quotes28 likes

“Sinbad is produced in accordance with the fine old Shubert precept that nothing succeeds like undress. p. 6”

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 1: 1918

“And I'll stay away from Verlaine too; he was always chasing Rimbauds.”

Dorothy Parker

"The Little Hours" in Here Lies (1939); this plays on the title of the popular song "I'm Always Chasing Rainbows"; Paul Verlaine was Arthur Rimbaud's lover.

“Dotty had
Great Big
Visions of
Quietude.
Dotty saw an
Ad, and it
Left her
Flat.
Dotty had a
Great Big
Snifter of
Cyanide.
And that (said Dotty)
Is that.”

Dorothy Parker

"When We Were Very Sore (Lines on Discovering That You Have Been Advertised as America's A. A. Milne)", first printed in New York World (10 March 1927) p. 15; based on A. A. Milne's "Happiness"
Not Much Fun: The Lost Poems of Dorothy Parker (1996)

“And you remember, Rabbi Wise has declared, in a heated moment, that our plays seem to be written for the hosiery buyers. If Dr. Wise had only witnessed our new summer reviews, he doubtless would have amended his statement to read “by the hosiery buyers.””

Dorothy Parker

Source: Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919, p.89

“The musical comedies of the month are She’s a Good Fellow and The Lady in Red, both of which owe their book and lyrics to Anne Caldwell—evidently a native of New York, judged by the casualness with which she rhymes “teacher” and “reach a.””

Dorothy Parker

Source: Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919, p. 82

“You know how a play in dialect is. At the first act, you think, “How quaint!”; at the second act, you wish they would either stop using dialect or keep quiet; and at the third act, you wish you hadn’t come. And Tillie, may I mention in passing, has four acts. p. 64”

Dorothy Parker

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919

“It is advertised as “a seagoin’ comedy,” and anytime they go leaving off the final g that way, you know what to expect. p. 324”

Dorothy Parker

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 5: 1922

“Rockliffe Fellowes gives a likable performance of the secondary crook’s rôle, and there are some decidedly agreeable-looking doughnuts consumed in the first act. And that is about all one can say for Pot Luck.”

Dorothy Parker

Source: Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 5: 1922, p. 260

“Well, Aimee Semple McPherson has written a book. And were you to call it a little peach, you would not be so much as scratching its surface. It is the story of her life, and it is called In the Service of the King, which title is perhaps a bit dangerously suggestive of a romantic novel. It may be that this autobiography is set down in sincerity, frankness and simple effort. It may be, too, that the Statue of Liberty is situated in Lake Ontario.”

Dorothy Parker

"Our Lady of the Loudspeaker" in The New Yorker (25 February 1928)

“[On being told of Calvin Coolidge's death] How do they know? (Coolidge was well-known for being a man of very few words.)”

Dorothy Parker

Quoted in Writers at Work 1st Series by Malcolm Cowley (1958)

“Van and Schenck put their songs over so skillfully that it isn’t until their act is all done that you realize what extremely indifferent songs they are. Now, when John Steel is singing, on the other hand, you are never fooled for a moment. p.153”

Dorothy Parker

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 3: 1920

“The play holds the season’s record, thus far, with a run of four evening performances and one matinée. By an odd coincidence, it ran just five performances too many. p. 121”

Dorothy Parker

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 3: 1920

““Age Before Beauty.” “Pearls Before Swine.””

Dorothy Parker

Widely attributed to Dorothy Parker and Clare Boothe Luce. “Age before beauty” said Luce while yielding the way. “And pearls before swine,” replied Parker while gliding through the doorway.
Attributed

“Naturally, you know how you would feel on setting out to see a performance of Aucassin and Nicolette done by a company of little ones; you would strive to hurl yourself beneath the wheels of a friendly truck, on your way to the theatre. p. 233”

Dorothy Parker

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 4: 1921

“The House Beautiful is, for me, the play lousy.”

Dorothy Parker

Review of "The House Beautiful" by Channing Pollock, New Yorker (21 March 1931)

“Writing a book for the Follies seems to be about as profitable an occupation as furnishing flannel petticoats for the showgirls. p. 151”

Dorothy Parker

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 3: 1920

“I thought that was going to be a good song, too, and then they went and rhymed “time” and “Rhine,” and spoiled everything. p. 24”

Dorothy Parker

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 1: 1918

“There is one thing that appreciably eases the strain for the plays that arrive at this time of year, and that is that practically nothing is expected of them. p. 306”

Dorothy Parker

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 5: 1922

“Anyone can do that—the stunt lies in not doing it. p. 8”

Dorothy Parker

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 1: 1918

“In short, there is everything about this season’s entertainment to make the Hippodrome what it always is—a Temple of the Arts to all those who hang pennants on their automobiles, use “Shake hands with my friend” as a formula for introduction, and sprinkle powdered sugar on their sliced tomatoes. p. 106”

Dorothy Parker

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919