Dorothy Parker: Trending quotes (page 8)

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“Sinbad is produced in accordance with the fine old Shubert precept that nothing succeeds like undress. p. 6”

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 1: 1918

“And I'll stay away from Verlaine too; he was always chasing Rimbauds.”

"The Little Hours" in Here Lies (1939); this plays on the title of the popular song "I'm Always Chasing Rainbows"; Paul Verlaine was Arthur Rimbaud's lover.

“Dotty had
Great Big
Visions of
Quietude.
Dotty saw an
Ad, and it
Left her
Flat.
Dotty had a
Great Big
Snifter of
Cyanide.
And that (said Dotty)
Is that.”

"When We Were Very Sore (Lines on Discovering That You Have Been Advertised as America's A. A. Milne)", first printed in New York World (10 March 1927) p. 15; based on A. A. Milne's "Happiness"
Not Much Fun: The Lost Poems of Dorothy Parker (1996)

“And you remember, Rabbi Wise has declared, in a heated moment, that our plays seem to be written for the hosiery buyers. If Dr. Wise had only witnessed our new summer reviews, he doubtless would have amended his statement to read “by the hosiery buyers.””

Source: Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919, p.89

“The musical comedies of the month are She’s a Good Fellow and The Lady in Red, both of which owe their book and lyrics to Anne Caldwell—evidently a native of New York, judged by the casualness with which she rhymes “teacher” and “reach a.””

Source: Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919, p. 82

“It is advertised as “a seagoin’ comedy,” and anytime they go leaving off the final g that way, you know what to expect. p. 324”

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 5: 1922

“Rockliffe Fellowes gives a likable performance of the secondary crook’s rôle, and there are some decidedly agreeable-looking doughnuts consumed in the first act. And that is about all one can say for Pot Luck.”

Source: Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 5: 1922, p. 260

“The play holds the season’s record, thus far, with a run of four evening performances and one matinée. By an odd coincidence, it ran just five performances too many. p. 121”

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 3: 1920

““Age Before Beauty.” “Pearls Before Swine.””

Widely attributed to Dorothy Parker and Clare Boothe Luce. “Age before beauty” said Luce while yielding the way. “And pearls before swine,” replied Parker while gliding through the doorway.
Attributed

“Naturally, you know how you would feel on setting out to see a performance of Aucassin and Nicolette done by a company of little ones; you would strive to hurl yourself beneath the wheels of a friendly truck, on your way to the theatre. p. 233”

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 4: 1921

“The House Beautiful is, for me, the play lousy.”

Review of "The House Beautiful" by Channing Pollock, New Yorker (21 March 1931)

“Writing a book for the Follies seems to be about as profitable an occupation as furnishing flannel petticoats for the showgirls. p. 151”

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 3: 1920

“I thought that was going to be a good song, too, and then they went and rhymed “time” and “Rhine,” and spoiled everything. p. 24”

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 1: 1918

“There is one thing that appreciably eases the strain for the plays that arrive at this time of year, and that is that practically nothing is expected of them. p. 306”

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 5: 1922

“Anyone can do that—the stunt lies in not doing it. p. 8”

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 1: 1918