Claude Monet: Working

“I'm very happy, very delighted.... for I am surrounded here by all that I love. I spent my time out of doors.... and naturally I'm working all the time, and I think this year I'm going to do some serious things. And then in the evening, dear fellow, I come home to my little cottage to find a good fire and a dear little family... Dear friend, it's a delight to watch this person [his first son Jean, born in 1867] grow, and I am glad to have him to be sure…”

Claude Monet

in a letter to Frédéric Bazille: as cited by K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 22
1850 - 1870

Love , Family , Home , Nature

“I'm very sorry to inconvenience you [ the art dealers G. and J. Berheim-Jeune ], but I find it impossible to supply you with any more Venice pictures. It was useless trying to persuade my self otherwise, the work that's left is too poor for exhibition. Don't insist... I've enough good sense in me to know whether what I'm doing is good or bad, and it' utterly bad, and I can't believe that people of taste, if they have any knowledge at all, could see any value in it. Things have been dragging on like this for far too long..”

Claude Monet

Quote in Monet's letter to his art-dealers [[wBernheim-Jeune|G. and J. Berheim-Jeune], Venice, 1912; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 72
1900 - 1920

People , Art , Knowledge , Sense

“I insist upon 'doing it alone'. Much as I enjoyed making the trip there with Renoir as a tourist, I'd find it hard to work there together. I have always worked better alone and from my own impressions… If he Renoir knew I was about to go, Renoir would doubtless want to join me and that would be equally disastrous for both of us.”

Claude Monet

Quote in a letter to his art-dealer Durand-Ruel in Paris, 1884; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 51
Monet is painting then in Northern Italy then, on the edge of the Mediterranean
1870 - 1890

“I was thinking of preparing my palette and my brushes to resume work, but relapses and further bouts of pain prevented it. I'm not giving up that hope and am occupying myself with some major alterations in my studios and plans to perfect the garden [in Giverny ]. All this to show you that, with courage, I'm getting the upper hand.”

Claude Monet

three months before Monet died
Quote from Monet's letter to Georges Clemenceau, Sept. 1926; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 79
1920 - 1926

Pain , Hope , Courage , Thinking

“I am weary, having worked without a break all day; how beautiful it is here, to be sure, but how difficult to paint! I can see what I want to do quite clearly but I'm not there yet. It's so clear and pure in its pink and blues that the slightest misjudged stroke looks like a smudge of dirt... I have fourteen canvases underway.”

Claude Monet

Monet's quote in a letter from Cote d'Azure to his second wife Alice Hoschedé, (ca. 1886): K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 55
1870 - 1890

Beauty , Painting

“I started selling my portraits. Sizing up my customer, I charged ten or twenty francs a caricature, and it worked like a charm. Within a month my clientele had doubled. Had I gone on like that I'd be a millionaire today. Soon I was looked up to in the town, I was 'somebody'. In the shop-window of the one and only frame-maker who could make out a livelihood in Le Havre, my caricatures were impudently displayed, five or six abreast, in beaded frames or behind glass like very fine works of art, and when I saw troops of bystanders gazing at them in admiration, pointing at them and crying 'Why, that's so-and-so!', I was just bursting with pride.”

Claude Monet

after Monet's death
Source: Denis Rouart (1972) Claude Monet, p. 22 : About the first steps in his career

Art , Cry

“There are the most amusing things everywhere [in The Netherlands]. Houses of every colour, hundreds of windmills and enchanting boats, extremely friendly Dutchmen who almost all speak French…. I have not had time to visit the museums, I wish to work first of all and I'll treat myself to that later.”

Claude Monet

Quote in a letter to Camille Pissarro, 17 June 1871; first part cited in: Van Gogh Museum Journal 2001 http://www.dbnl.org/tekst/_van012200101_01/_van012200101_01_0012.php Van Gogh Museum, Amsterdam 2001. p. 140; second part cited in: Ann Dumas, ‎Denver Art Museum, ‎High Museum of Art (2007), Inspiring Impressionism: : the Impressionists and the art of the past. p. 181
1870 - 1890

Time , Housing

“[While working beneath the cliff at Manneport, Normandy] I didn't see a huge wave coming; it threw me against the cliff and I was tossed about in its wake along with all my materials! My immediate thought was that I was done for, as the water dragged me down, but in the end I managed to clamber out on all fours, but Lord, what a state I was in! My boots, my thick stockings and my coat were soaked through. The palette which I had kept a grip on had been knocked over my face and my beard was covered in blue, yellow etc. But anyway, now the excitement is passed and no harm's done, the worst of it was that I lost my painting which was very soon broken up, along with my easel, bag etc. Impossible to fish anything out. Besides, everything was torn to shreds by the sea, that "old hag" as you sister calls her.”

Claude Monet

in a letter from Etretat to Alice Hoschedé, 1884; as quoted in: Howard F. Isham (2004) Image of the Sea: Oceanic Consciousness in the Romantic Century. p. 337
1870 - 1890

Fish , Sister , Water , Painting

“a remark of Monet, quoted by Ambroise Vollard, as quoted in Discovering Art, – The life time and work of the World’s greatest Artists, MONET'; K. E. Sullivan, Brockhamptonpress, London 2004, p. 44”

Claude Monet

the sun went that day too far already, to be able to finish the painting well - in Monet's opinion
after Monet's death

Life , World , Art , Quotes

“I have at last found a suitable spot and settled her. I have already spend a few days working and started eight canvases, which I hope, if the weather favours me, will give an idea of Norway and the environs of Christiania... This morning I was painting under constant falling snow. You would have burst out laughing seeing me white all over, my beard overgrown with icicles.”

Claude Monet

in his letter from Sandviken to Gustave Geffroy, late January 1895; (Geoffrey, 1922, vol 2 pp. 87-88); as cited in: Nathalia Brodskaya, Claude Monet, 2011, p. 106
Similar translation:
One should live here for a year in order to accomplish something of value, and that is only after having seen and gotten to know the country. I painted today, a part of the day, in the snow, which falls endlessly. You would have laughed if you could have seen me completely white, with icicles hanging from my beard like stalactites.
1890 - 1900
Source: Claude Monet, ‎Charles F. Stuckey (1985) Monet: a retrospective, p. 169

Hope , Idea , Painting , Weather

“Jongkind.... his painting was too new and far too artistic to be appreciated in 1862 at his prices. Moreover, no one was as bad at making himself valued, as he was. He was a straight-forward and simple kind of man, who could hardly speak bad French and was very shy. But he was very outgoing that day. He asked to see my sketches, invited me to come and work with him, explained the whys and wherefores underlining his work and thereby, completed the training that I had already received from Boudin. He became from this moment my true master and it [is] to him, that I owe the definitive training of my eyes.”

Claude Monet

Quote from Claude Monet par lui-meme – interview by Thiébault-Sisson / translated by Louise McGlone Jacot-Descombes; published in Le Temps newspaper, 26 November 1900
about Johan Jongkind, famous pre-impressionist landscape-painter of Dutch origin, painting then in Honfleur for some years and advising Monet then.
1900 - 1920

Painting , Training

“My dear Pissarro, Forgive me for not answering your first letter earlier, but I 'm starting to work full steam ahead and have hardly any time. I received your second letter this morning and I see that you are going to great pains on my behalf and getting nowhere: I'm sorry to be giving you so much trouble; so drop the whole thing, and I'll ask Durand-Ruel if he could see to it for me, he might be able to get rid of these damn frames.
I see that you are definitely going to leave that delightful country for good. Where are you going to, Paris or Louveciennes? I hope you'll write and let me know…”

Claude Monet

in a letter from Zaandam, The Netherlands, to Camille Pissarro (still in England), 17 June 1871; Cited in: Marianne Alphant (1994), Claude Monet en Holland, p. 87
1870 - 1890

Pain , Hope , Forgiveness , Time

“I won't be here long, I am working as hard as I can, as I told you [in a letter] yesterday, I am very happy to be here Etretat, Normandy] and I hope to come up with something good, in any case I will bring lots of studies back with me so I can work on some big things at home.”

Claude Monet

Quote in Monet's letter from Etretat to his second [future] wife Alice Hoschedé, 1883; as cited in: K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 51
1870 - 1890

Hope , Home , Study , Happiness

“I can no longer work outside because of the intensity of the light.”

Claude Monet

in the Summer of 1920, to Gustave Geffroy. Monet in the 20th Century, by Paul Hayes Tucker.
1920 - 1926

Light

“It is beautiful here [in Etretat, Normandy], my friend; every day I discover even more beautiful things. It is intoxicating me, and I want to paint it all - my head is bursting.... I want to fight, scratch it off, start again, because I start to see and understand. I seems to me as if I can see nature and I can catch it all.... it is by observation and reflection that I discover how. That is what we are working on, continuously..”

Claude Monet

Quote of Monet, 1864 in a letter to his friend Frédéric Bazille; as cited in Monet's landschappen Vivian Rusell; Icob, Alphen aan de Rijn, The Netherlands 2010, p. 12
1850 - 1870

Beauty , Understanding , Nature , Fight

“I am working as hard as I possibly can, and do not even dream of doing anything except the cathedral. It is an immense task.”

Claude Monet

in a letter from to his art-dealer Durand-Ruel, 30 March 1893; as quoted in: Christoph Heinrich (2000), Monet, p. 57
1890 - 1900

Dreams

“I am working from morning to evening, brimming with energy.. I'm fencing and wrestling with the sun. And what a sun it is! In order to paint here, one would need gold and precious stones. It is quite remarkable.”

Claude Monet

Quote in a letter from Cote d'Azure to sculptor and friend Auguste Rodin, 1 February 1888; as cited in R. Gordon and A. Forge (1983), Monet, p. 123
1870 - 1890

Sun , Painting