Chuck Klosterman: Likeness

Chuck Klosterman is Author, Columnist. Explore interesting quotes on likeness.
Chuck Klosterman: 154 quotes2 likes

“My mind and gut are never simpatico: Every time I think somebody likes me, she doesn't; every time I think somebody doesn't like me, she does. This has never changed and I'm certain it never will.”

Chuck Klosterman book Killing Yourself to Live: 85% of a True Story

Source: Killing Yourself to Live: 85% of a True Story

“Every relationship is fundamentally a power struggle, and the individual in power is whoever likes the other person less.”

Chuck Klosterman book Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

Source: Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“I love the way music inside a car makes you feel invisible; if you play the stereo at max volume, it's almost like the other people can't see into your vehicle. It tints your windows, somehow.”

Chuck Klosterman book Killing Yourself to Live: 85% of a True Story

Source: Killing Yourself to Live: 85% of a True Story

“Do you know people who insist they like 'all kinds of music'? That actually means they likeof music.”

Chuck Klosterman book Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

Source: Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

“Saying you like "Piano Man" doesn't mean you like Billy Joel; it means you're willing to go to a piano bar if there's nothing else to do”

Chuck Klosterman

“If you meet someone who has the same first name as this person, you immediately like them less.”

Chuck Klosterman

Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas (2006), Recognizing Your Archenemy

“If you've spent any time trolling the blogosphere, you've probably noticed a peculiar literary trend: the pervasive habit of writers inexplicably placing exclamation points at the end of otherwise unremarkable sentences. Sort of like this! This is done to suggest an ironic detachment from the writing of an expository sentence! It's supposed to signify that the writer is self-aware! And this is idiotic. It's the saddest kind of failure. F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader really isn't sure, either. They just want to know when they're supposed to pretend that they're amused. All those extraneous exclamation points are like little splatters of canned laughter: They represent the “form of funny,” which is more easily understood (and more easily constructed) than authentic funniness.”

Chuck Klosterman Eating the Dinosaur

Eating the Dinosaur (2009)

“In fact, there may be a day in the near future when you find yourself in a conversation about this book, and someone will ask you what the story is really about, beyond the rudimentary narrative of a cross-country death trip based on a magazine article. And it's very likely you will say, "well, the larger thesis is somewhat underdeveloped, but there is this point early in the story where he takes a woman to Ithaca for no real reason, and it initially seems innocuous, but - as you keep reading - you sort of see how this behaviour is a self-perpetuating problem that keeps reappearing over and over again." In all probability, you will also complain about the author's reliance on self-indulgent, postmodern self-awareness, which will prompt the person you're conversing with to criticize the influence of Dave Eggers on the memoir-writing genre. Then your cell phone will ring, and you will agree to meet someone for brunch.”

Chuck Klosterman book Killing Yourself to Live: 85% of a True Story

Killing Yourself to Live: 85% of a True Story (2005)

“We all have the potential to fall in love a thousand times in our lifetime. It's easy. The first girl I ever loved was someone I knew in sixth grade. Her name was Missy; we talked about horses. The last girl I love will be someone I haven't even met yet, probably. They all count. But there are certain people you love who do something else; they define how you classify what love is supposed to feel like. These are the most important people in your life, and you'll meet maybe four or five of these people over the span of 80 years. But there's still one more tier to all this; there is always one person who you love who becomes that definition. It usually happens retrospectively, but it always happens eventually. This is the person who unknowingly sets the template for what you will always love about other people, even if some of those lovable qualities are self-destructive and unreasonable. You will remember having conversations with this person that never actually happened. You will recall sexual trysts with this person that never technically occurred. This is because the individual who embodies your personal definition of love does not really exist. The person is real, and the feelings are real--but you create the context. And context is everything. The person who defines your understanding of love is not inherently different than anyone else, and they're often just the person you happen to meet the first time you really, really want to love someone. But that person still wins. They win, and you lose. Because for the rest of your life, they will control how you feel about everyone else.”

Chuck Klosterman book Killing Yourself to Live: 85% of a True Story

Killing Yourself to Live: 85% of a True Story (2005)