Camille Paglia: Trending quotes (page 2)

Playboy interview (May 1995)
Context: The fact is, you get great art only from mutilated egos. Only mutilated egos are obsessive enough. When I entered graduate school in 1968, 1 thought women were going to have all these enormous achievements, that they would redo everything. Then I saw every one of my female friends — these great minds who were going to transform the world — get married, move because their husbands moved and have babies. I screamed at them: What are you doing? Finish your great book! But they all read me the riot act. They said, "Camille, we are not you." They said, "We want life. We want love. We want happiness. We are not happy — like you are — just living off ideas." I am weird.

Source: Sex, Art and American Culture : New Essays (1992), The Rape Debate, Continued, p. 65
Context: Feminists have no idea that some women like to flirt with danger because there is a sizzle in it. You know what gets me sick and tired? The battered-woman motif. It’s so misrepresented, the way we have to constantly look at it in terms of male oppression and tyranny, and female victimization. When, in fact, everyone knows throughout the history of the world that many of these working-class relationships where women get beat up have hot sex. They ask why won’t she leave him? Maybe she won’t leave him because the sex is very hot. I say we should start looking at the battered-wife motif in terms of sex. If gay men go down to bars and like to get tied up, beaten up, and have their asses whipped, how come we can’t allow that a lot of wives like the kind of sex they are getting in these battered wife relationships? We can’t consider that women have kinky tastes, can we? No, because women are naturally benevolent and nurturing, aren’t they? Everything is so damn Mary Poppins and sanitized.

Source: Break, Blow, Burn

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 19

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 44
Context: In pondering why a battered woman does not leave, we must remember that gay men with a taste for violent “rough trade” have always paid for this kind of sex. Are women so perfect and angelic that we cannot imagine them having sadomasochistic impulses? When they are genuinely victimized, women deserve our pity. But victimization alone cannot explain everything in the tragicomedy of love.

Source: Sex, Art and American Culture : New Essays (1992), p. 273
Context: The idea that feminism is the first group that has ever denounced rape is a gross libel to men. Throughout history, rape has been condemned by honorable men. Honorable men do not murder; honorable men do not steal; honorable men do not rape. It goes all the way back through history. Tarquin’s rape of Lucretia caused the fall of the tyrants and the beginning of the Roman Republic. The idea that somehow suddenly feminism miraculously found out that women were being exploited and raped throughout history is ridiculous.

Playboy interview (May 1995)
Context: At Bennington, I would go to a faculty meeting and be aware that everyone hated me. The men were appalled by a strong, loud woman. But I went to this auto shop and the men there thought I was cute. "Oh, there's that Professor Paglia from the college." The real men, men who work on cars, find me cute. They are not frightened by me, no matter how loud I am. But the men at the college were terrified because they are eunuchs, and I threatened every goddamned one of them.

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 235

Source: Sex, Art and American Culture : New Essays (1992), Rape and Modern Sex War, p. 68
Context: I am saying that many of the problems between the sexes are coming from something prior to socialization, a turbulence that has to do with every boy’s origin in a woman’s body, and the way he is overwhelmed by this huge, matriarchal shadow of a goddess figure from his childhood. And I feel, after so many decades of studying this, that men are suffering from a sense of dependence on women, their sense that at any moment they could be returned to that slavery and servitude they experienced under a woman’s thumb, when they were a boy in the shadow of the mother. I got this from studying all world culture, and comparing and noticing how often there were these similar patterns in many different cultures. Many things that erupt in rape or violence, or battery and so on, are happening when a woman is pushing that button of fear and dependency.

Playboy interview (May 1995)
Context: The left constantly identifies the pro-life advocates as misogynists and fanatics, but that doesn't represent most of those people. They are deeply religious and they truly believe that taking a life is wrong. If the left were to show respect for that position and acknowledge the moral conundrum of unwanted pregnancy, the opposition to abortion would lessen. We must acknowledge that people should be a little troubled by abortion. Not to acknowledge that this is a difficult decision is wrong. The procedure snuffs out a potential personality. … You have a stronger case if you give due respect to the other side. An abortion should be something that is wrestled with. And herein is the point. Though most people agree that abortion should be an option, there is something attractive about the deeply moral position of those against abortion, particularly when the other side is in a spiritual vacuum. There is nothing in kids' education anymore that tells them to revere anything. Traditional religions, with all their moral codes, are becoming increasingly attractive in light of the alternatives: the Prozac nation, or heroin, which has come back with a vengeance.

Response to criticism of Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, as quoted in "20Q: Camille Paglia" by Warren Kalbacker in Playboy magazine (October 1991) http://www.playboy.co.uk/article/16659/20q-camille-paglia; also in Gauntlet # 4 (1992), p. 133
Context: It was intended to please no one and to offend everyone. The entire process of the book was to discover the repressed elements of contemporary culture, whatever they are, and palpate them. One of the main premises was to demonstrate that pornography is everywhere in major art. Art history as written is completely sex free, repressive and puritanical. I want precision and historical knowledge, but at the same time, I try to zap it with pornographic intensity.

The Magic of Images: Word and Picture in a Media Age (2004)
Context: As a classroom teacher for over thirty years, I have become increasingly concerned about evidence of, if not cultural decline, then cultural dissipation since the 1960s, a decade that seemed to hold such heady promise of artistic and intellectual innovation. Young people today are flooded with disconnected images but lack a sympathetic instrument to analyze them as well as a historical frame of reference in which to situate them. I am reminded of an unnerving scene in Stanley Kubrick's epic film, 2001: A Space Odyssey, where an astronaut, his air hose cut by the master computer gone amok, spins helplessly off into space. The new generation, raised on TV and the personal computer but deprived of a solid primary education, has become unmoored from the mother ship of culture. Technology, like Kubrick's rogue computer, Hal, is the companionable servant turned ruthless master. The ironically self-referential or overtly politicized and jargon-ridden paradigms of higher education, far from helping the young to cope or develop, have worsened their vertigo and free fall. Today's students require not subversion of rationalist assumptions -- the childhood legacy of intellectuals born in Europe between the two World Wars -- but the most basic introduction to structure and chronology. With out that, they are riding the tail of a comet in a media starscape of explosive but evanescent images.

On academic conferences, p. 179
Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf
Context: Many, perhaps most, very learned people prefer the company of their books to sitting in a crowd listening to history and art being mangled; furthermore, it is unlikely that the venerable scholars will stand up afterward to declare, “This lecture was a load of crap.” The more profound a professor’s distaste with the proceedings, the more likely he is to melt away at the end of the talk.

Source: Sex, Art and American Culture : New Essays (1992), The Rape Debate, Continued, p. 59
Context: I am being vilified by feminists for merely having a common-sense attitude about rape. I loathe this thing about date rape. Have twelve tequilas at a fraternity party and a guy asks you to go up to his room, and then you're surprised when he assaults you? Most women want to be seduced or lured. The more you study literature and art, the more you see it. Listen to Don Giovanni. Read The Faerie Queene. Pursuit and seduction are the essence of sexuality. It’s part of the sizzle. Girls hurl themselves at guitarists, right down to the lowest bar band here. The guys are strutting. If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them. Women have the right to freely choose and to say yes or no. Everyone should be personally responsible for what happens in life. I see the sexual impulse as egotistical and dominating, and therefore I have no problem understanding rape. Women have to understand this correctly and they'll protect themselves better. If a real rape occurs, it's got to go to the police. The business of having a campus grievance committee decide whether or not a rape is committed is an outrageous infringement of civil liberties. Today, on an Ivy League campus, if a guy tells a girl she's got great tits, she can charge him with sexual harassment. Chickenshit stuff. Is this what strong women do?

When asked "why you write about sex?" Paglia on AOL (11 September 1996) http://privat.ub.uib.no/BUBSY/aolpag.htm
Context: I have been studying it [sexuality] since before it became fashionable. At the Yale Grad School, for example, where I was from 1968 to 1972, I was literally the only person in the humanities departments doing a dissertation on sex — hard to believe now, but I was a real pioneer and I took the career hit for it. It was considered tacky, low, not serious — my dears, I was absolutely scouring the Yale archives for every bit of dirt on homosexuality, sadomasochism, transvestism — you name it. That is the basis of the research for my first book, Sexual Personae, which was my dissertation.

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 328
Context: The two deepest thinkers on sex in the twentieth century are Sigmund Freud and D. H. Lawrence. Their reputations as radical liberators were so universally acknowledged that brooding images of Freud and Lawrence in poster form adorned the walls of students in the Sixties. Yet the voluminous and complex works of both men were swept away by the current women's movement, when it burst out in the late Sixties and consolidated its ideology in the Seventies. Whatever their motives, the first feminist theorists acted as vandals and Bolsheviks. The damage they did to culture has in the long run damaged the cause of feminism.

The Magic of Images: Word and Picture in a Media Age (2004)
Context: The computer, with its multiplying forums for spontaneous free expression from e-mail to listservs and blogs, has increased facility and fluency of language but degraded sensitivity to the individual word and reduced respect for organized argument, the process of deductive reasoning. The jump and jitter of us commercial television have demonstrably reduced attention span in the young.

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 85
Context: Because boys lack a biological marker like menstruation, to be man is to be not female. Contemporary feminism called this "misogyny," but it was wrong. Masculine identity is embattled and fragile. In the absence of opportunity for heroic physical action, as in the modern office world, women's goodwill is crucial for preserving the male ego, which requires, alas, daily maintenance. It is in the best interests of the human race, and of women themselves, for men to be strong.

Source: Sex, Art and American Culture : New Essays (1992), The Rape Debate, Continued, p. 59
Context: I am being vilified by feminists for merely having a common-sense attitude about rape. I loathe this thing about date rape. Have twelve tequilas at a fraternity party and a guy asks you to go up to his room, and then you're surprised when he assaults you? Most women want to be seduced or lured. The more you study literature and art, the more you see it. Listen to Don Giovanni. Read The Faerie Queene. Pursuit and seduction are the essence of sexuality. It’s part of the sizzle. Girls hurl themselves at guitarists, right down to the lowest bar band here. The guys are strutting. If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them. Women have the right to freely choose and to say yes or no. Everyone should be personally responsible for what happens in life. I see the sexual impulse as egotistical and dominating, and therefore I have no problem understanding rape. Women have to understand this correctly and they'll protect themselves better. If a real rape occurs, it's got to go to the police. The business of having a campus grievance committee decide whether or not a rape is committed is an outrageous infringement of civil liberties. Today, on an Ivy League campus, if a guy tells a girl she's got great tits, she can charge him with sexual harassment. Chickenshit stuff. Is this what strong women do?