Angelique Rockas: Use

Angelique Rockas is South African actress and founder of Internationalist Theatre, London. Explore interesting quotes on use.
Angelique Rockas: 46   quotes 0   likes

“I myself have experienced the volcanic existential depths of the Greek language. It was during a performance of Medea by Tzeni Karezi at the Herod Atticus theatre in Athens, when she was pleading to the callous Jason to take pity on her and she used the word ' splachniasou'. 'Pity' is too weak a word to describe the emotional and psychological depths ' splachniasou' expresses. 'Splachna 'is the part of the body where a woman carries her unborn children, the very root of ontological existence. How deep can you get!”

Angelique Rockas

On the Greek language
Interview on Helenism .net (September 2011)

Children , Parting

“Voulagris asked me to find film funding for what was to be the last but unfinished film project of Elia Kazan, a personal friend of Voulgaris. The subject of the film was the immigration of the Kazan family from the beleaguered Greek minority communities under Turkish rule in Asia Minor to the safe haven of the USA where the Kazan family settled. I arranged a meeting between Elia Kazan and the London based film financier Frixos Constantini of Poseidon Films at the Grand Bretagne Hotel in Athens. What followed from this meeting is that Mr Constantini put Elia Kazan in touch with Martin Scorsese a personal friend of Mr Constantini and who also runs the production company Cappa films. And so it was that these two giants of US cinema met for the first time.”

Angelique Rockas

Interview on Helenism .net (September 2011)

Family , Communication , Time , Personality

“… without New Testament Greek there would be no Christian Theology, or possibly no Christianity. The Athanasian Creed, the dogma of Christ the Homiousios, of the same essence as the Father, the dogma of Christ, fully God and Fully Human, The dogma of the Holy Trinity, 'that Christ is the incarnation of the indivisible source of the Divine Godhead through the power of the Holy Spirit " could only have been formulated by the Church Fathers within the linguistic structures and concepts provided by early century Greek language and thought., e. g concepts such as the God/man, a concept that which does not exist in the Hebrew and is totally foreign to Hebrew culture. Hence Shelley's assertion that the Greeks /the Hellenes "gave us our religion."”

Angelique Rockas

On Orthodoxia
Interview on Helenism .net (September 2011)

God , Religion , Christ

“The ground breaking production of the company, and the point at which the cross-cultural casting began to bite, was Brecht’s anti-war play Mother Courage. Just one comment in a review by critic Malcolm Hay jolted us into the realisation that we were making history: Why is an Indian actor playing the Pastor?”

Angelique Rockas

The South African Interview (August 8, 2011)

War , History , Courage

“Apart from the greatness of Bizos for his role in the dismantling of apartheid, defending Mandela etc, he also manifested a genius in his role as a leading member of the conservative South African Greek community, by drawing historical parallels between the 400 years of slavery that Greece had suffered under the Ottoman Turks and the 300 years or so of repression and cruelty suffered by the Southern African black tribes and mixed race people under the British and then under the Nationalist Afrikaner rule. By using this strategy Bizos was able to balance his fight for justice in South Africa, and synchronously lead the very conservative Greek community in a more progressive direction.”

Angelique Rockas

On George Bizos
Interview on Helenism .net (September 2011)

People , Justice , Communication , Suffering

“Morally, good theatre and film for that matter disturbs and unnerves us, tries to rid us of our cliched reactions to the world around us by expanding our sympathies, stretching our imaginations, and enriches us”

Angelique Rockas

English translation of the Spanish language text.
Vogue, Mexico Interview: Una Actirz Multiplicada (July 1992)

World , Imagination

“As a little girl my mother used to take me with her to her fittings with her very expensive seamstress. I was dazzled by the beauty of the fabrics and the whole procedure. I still remember the feel of expensive taffeta.”

Angelique Rockas

On the beauty of fabrics
Interview on Helenism .net (September 2011)

Beauty , Feeling , Girl

“I myself have experienced the volcanic existential depths of the Greek language. It was during a performance of Medea by Tzeni Karezi at the Herod Atticus theatre in Athens ,when she was pleading to the callous Jason to take pity on her and she used the word ' splachniasou.'”

Angelique Rockas

'Pity' is too weak a word to describe the emotional and psychological depths ' splachniasou' expresses. 'Splachna 'is the part of the body where a woman carries her unborn children, the very root of ontological existence. How deep can you get!

On the Greek language
Interview on Helenism .net (September 2011)