Andy Warhol: Likeness

Andy Warhol was American artist. Explore interesting quotes on likeness.
Andy Warhol: 266   quotes 15   likes

“When people are ready to, they change. They never do it before then, and sometimes they die before they get around to it. You can't make them change if they don't want to, just like when they do want to, you can't stop them.”

Andy Warhol

Source: Andy Warhol in His Own Words

People , Change

“I like to be the right thing in the wrong place and the wrong thing in the right place. Being the right thing in the wrong place and the wrong thing in the right place is worth it because something interesting always happens.”

Andy Warhol

“I like boring things.”

Andy Warhol

“I'm the type who'd be happy not going anywhere as long as I was sure I knew exactly what was happening at the places I wasn't going to. I'm the type who'd like to sit home and watch every party that I'm invited to on a monitor in my bedroom.”

Andy Warhol
Home , Happiness

“When you're interested in somebody, and you think they might be interested in you, you should point out all your beauty problems and defects right away, rather than take a chance they won't notice them... On the other hand, say you have a purely temporary beauty problem—a new pimple, lackluster hair, no-sleep eyes, five extra pounds around the middle. Still, whatever it is, you should point it out... If you don't point out these things they might think that your temporary beauty problem is a permanent beauty problem... If they really do like you for yourself, they'll be willing to use their imagination to think of what you must look like without your temporary beauty problem.”

Andy Warhol

Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 4: Beauty

Beauty , Imagination , Problem , Thinking

“Andy Warhol: I think everybody should like everybody.
Gene Swenson: Is that what Pop Art is all about?
Andy Warhol: Yes, it's liking things.”

Andy Warhol

Quote in 'What is Pop Art? Answers from 8 Painters', in 'Art News' 62, November 1963
1963 - 1967

Art , Thinking

“It's hard to be creative and it's also hard not to think what you do is creative or hard not to be called creative because everybody is always talking about that and individuality. Everybody's always creative. And it is so funny when you say things aren't, like the shoe I would draw for an advertisement was called a 'creation', but the drawing of it was not... There are millions of actors. They're all pretty good. And how many painters are there? Millions of painters and all pretty good. How can you say one style is better then another. You ought to be able to be an Abstract-expressionist next week, or a Pop artist, or a realist, without feeling you're given up something.”

Andy Warhol

Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

Shoe , Feeling , Thinking , Drawing

“I started those [the 'Elisabeth Taylor' pictures, Warhol made from a publicity photo of her 1960 film 'BUtterfield 8 a long time ago when she was so sick and everybody said she was going to die [but she recovered]. Now I'm doing them all over, putting bright colors on her lips and eyes. My next series will be pornographic pictures, they will look blank; when you turn on the black lights, then you will see them - big breast and... If a cop came in, then you could just flick out the lights or turn to the regular lights. How could you say that was pornography?... Segal did a sculpture of two people making love, but he cut it all up, I guess because he thought it was too pornographic to be art... The thing I like about it is that it makes you forget about style and that sort of things; style isn't really important.”

Andy Warhol

Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

Love , People , Making love , Art

“Edward Smith: Would you like to see your pictures on as many walls as possible, then?Andy Warhol: Uh, no, I like them in closets.”

Andy Warhol

1975 - 1987, BBC interview (1981)

“At the times in my life when I was feeling the most gregarious and looking for bosom friendships, I couldn't find any takers so that exactly when I was alone was when I felt the most like not being alone. The moment I decided I'd rather be alone and not have anyone telling me their problems, everybody I'd never even seen before in my life started running after me to tell me things I'd just decided I didn't think it was a good idea to hear about. As soon as I became a loner in my own mind, that's when I got what you might call a "following."”

Andy Warhol

As soon as you stop wanting something you get it. I've found that to be absolutely axiomatic.
Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 1: Puberty

Life , Friendship , Feeling , Idea

“I thought that young people had more problems than old people, and I hoped I could last until I was older so I wouldn't have all those problems. Then I looked around and saw that everybody who looked young had young problems and that everybody who looked old had old problems. The "old" problems to me looked easier to take than the "young" problems. So I decided to go gray so nobody would know now old I was and I would look younger to them than how old they thought I was. I would gain a lot by going gray: (1) I would have old problems, which were easier to take than young problems, (2) everyone would be impressed by how young I looked, and (3) I would be relieved of the responsibility of acting young—I could occasionally lapse into eccentricity or senility and no one would think anything of it because of my gray hair. When you've got gray hair, every move you make seems "young" and "spry," instead of just being normally active. It's like you're getting a new talent. So I dyed my hair gray when I was about twenty-three or twenty-four.”

Andy Warhol

Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 6: Work

People , Hope , Problem , Thinking

“I really don't care that much about "Beauties." What I really like are Talkers. To me, good talkers are beautiful because good talk is what I love. The word itself shows why I like Talkers better than Beauties, why I tape more than I film. It's not "talkies." Talkers are doing something. Beauties are being something. Which isn't necessarily bad, it's just that I don't know what it is they're being. It's more fun to be with people who are doing things.”

Andy Warhol

Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 4: Beauty

Love , People , Beauty

“Edward Smith: What do you think is the characteristic of a really nice person? Some people you obviously do like more than others.
Andy Warhol: Ummm, well, if they talk a lot.
Edward Smith: What, and don't make you talk?
Andy Warhol: Yeah, yes, that's a really nice person.
Edward Smith: Thank you, Andy.”

Andy Warhol

1975 - 1987, BBC interview (1981)

People , Thinking , Personality

“I think of myself as an American artist: I like it here... I feel I represent the U. S. in my art but I'm not a social critic. I just paint those things in my paintings because those things are the things I know best. I'm not trying to criticize the U. S. in any way, not trying to show up any ugliness at all. I'm just a pure artist, I guess. But I can't say if I take myself seriously as an artist. I just hadn't thought about it. I don't know how they consider me in print, though.”

Andy Warhol

Quote of Warhol in Andy, My true Story 3, Gretchen Berg, Los Angeles Free Press (17 March 1967); as quoted in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467
1963 - 1967

Art , Way , Feeling , Thinking

“Before I was shot [June, 1968], I always thought that I was more half-there than all-there - I always suspected that I was watching TV instead of living life. People sometimes say that the way things happen in the movies is unreal, but actually it's the way things happen to you in life that's unreal. The movies make emotions look so strong and real, whereas when things really do happen to you, it's like watching television - you don't feel anything. Right when I was being shot and ever since, I knew that I was watching television. The channels switch, but it's all television.”

Andy Warhol

Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 6: Work

Life , People , Way , Feeling

“What I was actually trying to do in my early movies was show how people can meet other people and what they can do and what they can say to each other. That was the whole idea: two people getting acquainted. And then when you saw it and you saw the sheer simplicity of it, you learned what it was all about. Those movies showed you how some people act and react with other people. They were like actual sociological 'For instance's. They were like documentaries, and if you thought it could apply to you, it was an example, and if it didn't apply to you, at least it was a documentary, it could apply to somebody you knew and it could clear up some questions you had about them.”

Andy Warhol

Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 3: Senility

People , Idea , Question , Learning

“I still care about people but it would be so much easier not to care. I don't want to get to close: I don't like to touch things, that's why my work is so distant from myself”

Andy Warhol

Nicolas Love, April 1987
1975 - 1987, BBC interview (1981)
Source: Warhol in his own words – Untitled Statements ( 1963 – 1987), selected by Neil Printz, in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467

Love , People , Distant

“We went to see 'Dr No' [first James Bond film, 1962] at Fort-Second Street. It's a fantastic movie, so cool. We walked outside and somebody threw a cherry bomb right in front of us, in this big crowd. And there was blood. I saw blood on people and all over. I felt like I was bleeding all over. I saw in the paper last week that there are more people throwing them - it's just part of the scene - and hurting people. My show in Paris is to be called 'Death in America.”

Andy Warhol

I'll show the 'Electric-chair' pictures and the Dogs in Birmingham and car wrecks and some suicide pictures.
Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

Death , People , Dogs , Cars