Agnes Martin: Mind

Agnes Martin was American artist. Explore interesting quotes on mind.

Agnes Martin: 96 quotes0 likes

“To be an artist, you look, you perceive, you recognize what is going through your mind. And it is not ideas. Everything you feel and everything you see and everything that your whole life goes through your mind, you know. But you have to recognize it and go with it and really feel it.”

Agnes Martin

1974
1970's, interview, K. Horsfield & L. Blumenthal

“To neglect your own mind, that's like to neglect your consciousness. That’s like to give up all hope of joy and happiness, really. You're the only one that can discover for you the meaning of anything. What it means to you. By that, I don't mean intellectual meaning. I mean, what it means, how it makes you feel. You have to see whether you really are happy or not. Whether you really are sad or not. And you have to investigate what goes through your mind.”

Agnes Martin

1974
1970's, interview, K. Horsfield & L. Blumenthal

“The adventurous state of / mind is a high house // To enjoy life the adventurous / state of mind must be / grasped and maintained // The essential feature of adventure is that it is a / going forward into / unknown territory // The joy of adventure is unaccountable // This is the attractiveness of / art work. It is adventurous, / strenuous and joyful.”

Agnes Martin

poem before 1973; in a exh. cat., ed. Suzanne Delehanty (1973; repr., Philadelphia: The Falcon Press, 1976), p. 40
1970's

“You can't be in an unconscious state and paint. Because whatever is in your mind, and not the subject matter, but the feelings that you have related to that subject matter, is what you're going to paint. So, the beginning is not actually painting, you know. The beginning of painting is not you put down green, and then you like pink, and you put down pink.
Painting's not about that anymore than music is about this sound and that sound.... And it's something that drives you to expression. And it's irresistible.”

Agnes Martin

1974
1970's, interview, K. Horsfield & L. Blumenthal

“When I first made a grid I happened to be thinking of the innocence of trees and then this grid came into my mind and I thought it represented innocence, and I still do, and so I painted it and then I was satisfied. I thought, this is my vision.”

Agnes Martin

interview by Suzan Campbell, May 15, 1989; transcript in 'Archives of American Art', The Smithsonian Institution, Washington, D.C. <br class="br">One of her first grid paintings she made in New York in 1964, it was [ https://www.moma.org/collection/works/78361 titled 'The Tree']. Martin often described this painting as her first grid. In fact, she had been making them since at least the beginning of 1960's <br class="br">1980 - 2000

“Of course we know that an untroubled state of mind cannot last. So we say that inspiration comes and goes but really it is there all the time waiting for us to be untroubled again. We can therefore say that it is pervasive. Young children are more untroubled than adults and have many more inspirations.”

Agnes Martin

Source: 1970's, The Untroubled Mind', 1972, p. 62

“You can't make a perfect painting. We can see perfection in our minds. But we can't make a perfect painting.”

Agnes Martin

interview with Joan Simon, 1995 in Perfection is in the Mind, p. 86; as quoted in A House Divided: American Art Since 1955, Anne M. G. Wagner, Univ. of California Press, 2012, p. 263
1980 - 2000

“When a beautiful rose dies beauty does not die because it is not really in the rose. Beauty is an awareness in the mind. It is a mental and emotional response that we make. We respond to life as though it were perfect. When we go into a forest we do not see the fallen rotting trees. We are inspired by a multitude of uprising trees... The goal of life is happiness and to respond to life as though it were perfect is the way to happiness. It is also the way to positive art work.”

Agnes Martin

In 'Beauty Is the Mystery of Life', 1989; a lecture by Agnes Martin, Carnegie Museum of Art, Pittsburgh, 1989. Printed in Agnes Martin, eds. Morris and Bell, pp. 158–59
1980 - 2000

“When I think of art, I think of beauty. Beauty is the mystery of life. It is in the mind, not in the eye. In our minds, we have an awareness of perfection that leads us on... The response to beauty is emotion. Sometimes very subtle emotions of which we are almost not aware, and sometimes our most powerful emotions..”

Agnes Martin

1980 - 2000, The Skowhegan Lecture', 1987

“On a Clear Day: Art work that is completely abstract - free from any expression of the environment is like music and can be responded to in the same way. Our response to line and tone and color is the same as our response to sounds... It holds meaning for us that is beyond expression in words.
These prints [title, 'On a Clear Day'] express innocence of mind. If you can go with them and hold your mind as empty and tranquil as they are and recognize your feelings at the same time you will realize your full response to this work.”

Agnes Martin

a passage Martin wrote in 1975 'On a Clear Day', 15 Oct. 1975. Printed in Agnes Martin, eds. Morris and Bell, p. 124
1970's

“Everything is contemplated in the mind without meditation. We make a very complicated response. Just to look at a floating branch evokes very complicated objective and nonobjective responses. The artist must slow all this down, mentally. It is this mental experience that makes the representation of beauty possible.”

Agnes Martin

1980 - 2000, The Skowhegan Lecture', 1987

“Although we are all different, we all respond to each other's suggestions of perfection. And we enjoy the same response as the artist. It is the inner contemplation, the wanting to respond to life, that opens our eyes to what is already in the mind.”

Agnes Martin

1980 - 2000, The Skowhegan Lecture', 1987