Quotes from book
The Decisive Moment

Name: The Decisive Moment
Author: Henri Cartier-Bresson

"Within the canon of European photography books it would be difficult to find one more famous, revered and influential as Henri Cartier-Bresson's "The Decisive Moment,"" wrote Jeffrey Ladd in "Time LightBox," in a feature on Steidl's new edition of this ultimate photobook classic. Originally published in 1952, this collection of Cartier-Bresson's best work from his early years was embellished with a collage cover by Henri Matisse. The book has since influenced generations of photographers, while its English title defined the notion of the famous peak in which all elements in the photographic frame accumulate to form the perfect image-not the moment of the height of the action, necessarily, but the formal, visual peak. This new publication-the first and only reprint since the original 1952 edition-is a meticulous facsimile of the original book that launched the artist to international fame, with an additional booklet on the history of "The Decisive Moment" by Centre Pompidou curator Clément Chéroux. Henri Cartier-Bresson (1908-2004) was born in Chantelou-en-Brie, France. He initially studied painting and began photographing in the 1930s. Cartier-Bresson cofounded Magnum in 1947. In the late 1960s he returned to his original passion, drawing. In 2003 Cartier-Bresson established the Fondation Henri Cartier-Bresson in Paris, one year before his death.

“Sometimes a single event can be so rich in itself and its facets that it is necessary to move all around it in your search for the solution to the problems it poses — for the world is movement, and you cannot be stationary in your attitude toward something that is moving.”

Henri Cartier-Bresson book The Decisive Moment

The Decisive Moment (1952), p. i; also in The Mind's Eye (1999)
Context: The picture-story involves a joint operation of the brain, the eye and the heart. The objective of this joint operation is to depict the content of some event which is in the process of unfolding, and to communicate impressions. Sometimes a single event can be so rich in itself and its facets that it is necessary to move all around it in your search for the solution to the problems it poses — for the world is movement, and you cannot be stationary in your attitude toward something that is moving. Sometimes you light upon the picture in seconds; it might also require hours or days. But there is no standard plan, no pattern from which to work.

“The picture-story involves a joint operation of the brain, the eye and the heart.”

Henri Cartier-Bresson book The Decisive Moment