Quotes from work
Mémoires

Hector Berlioz Original title Mémoires (French, 1870)

The Mémoires de Hector Berlioz are an autobiography by French composer Hector Berlioz. First serialised in several contemporary journals including Journal des Débats and Le Monde Illustré, their compilation into one book was completed on New Year's Day, 1865 and after much proof-reading, an initial printing of 1200 was carried out in July. After distributing some copies to certain friends, they were put aside until Berlioz died. After Berlioz's death in 1869, they were published in 1870. They provide an extremely colourful, if biased, account of Berlioz's life, and are invaluable to anyone with an interest in the artistic life of the time.


Hector Berlioz photo

“You request me to tell you…if it is true that the creed of all who profess to love high and serious art is: "There is no God but Bach, and Mendelssohn is his prophet?"”

Vous me priez de vous dire…S'il est vrai que l'acte de foi de tout ce qui prétend aimer l'art élevé et sérieux soit celui-ci : "Il n'y a pas d'autre Dieu que Bach, et Mendelssohn est son prophète"?
"Premier Voyage en Allemagne", Quatrième lettre, p. 285
Mémoires (1870)

Hector Berlioz photo

“This sudden and unexpected revelation of Shakespeare overwhelmed me. The lightning-flash of his genius revealed the whole heaven of art to me, illuminating its remotest depths in a single flash. I recognised the meaning of real grandeur, real beauty, and the real dramatic truth.”

Shakespeare, en tombant ainsi sur moi à l'improviste, me foudroya. Son éclair, en m'ouvrant le ciel de l'art avec un fracas sublime, m'en illumina les plus lointaines profondeurs. Je reconnus la vraie grandeur, la vraie beauté, la vraie vérité dramatiques.
Source: Mémoires (1870), Ch. 18, p. 66

Hector Berlioz photo

“I feel grateful to the happy chance which forced me to compose freely and in silence, and has thus delivered me from the tyranny of the fingers, so dangerous to thought.”

Je ne puis m'empêcher de rendre grâces au hasard qui m'a mis dans la nécessité de parvenir à composer silencieusement et librement, en me garantissant ainsi de la tyrannie des habitudes des doigts, si dangereuses pour la pensée.
On being unable to master the piano.
Source: Mémoires (1870), Ch. 4, p. 14

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