Quotes from book
King Rat

King Rat

King Rat is a 1962 novel by James Clavell and the author's literary debut. Set during World War II, the novel describes the struggle for survival of American, Australian, British, Dutch, and New Zealander prisoners of war in a Japanese camp in Singapore—a description informed by Clavell's own three-year experience as a prisoner in the notorious Changi Prison camp. One of the three major characters, Peter Marlowe, is based upon Clavell's younger self.


“I'm going to get that bloody bastard if I die in the attempt.”

Part 1, Ch. 1, Lt. Grey, First line of the story.
King Rat (1962)

“Changi was set like a pearl on the eastern tip of Singapore Island, iridescent under the bowl of tropical skies.”

Prologue
King Rat (1962)
Context: Changi was set like a pearl on the eastern tip of Singapore Island, iridescent under the bowl of tropical skies. It stood on a slight rise and around it was a belt of green, and farther off the green gave way to the blue-green seas and the seas to infinity of horizon.
Closer, Changi lost its beauty and became what it was — an obscene forbidding prison. Cellblocks surrounded by sun-baked courtyards surrounded by towering walls.
Inside the walls, inside the cellblocks, story on story, were cells for two thousand prisoners at capacity. Now, in the cells and in the passageways and in every nook and cranny lived some eight thousand men....
These men too were criminals. Their crime was vast. They had lost a war. And they had lived.

“These men too were criminals. Their crime was vast. They had lost a war. And they had lived.”

Prologue
King Rat (1962)
Context: Changi was set like a pearl on the eastern tip of Singapore Island, iridescent under the bowl of tropical skies. It stood on a slight rise and around it was a belt of green, and farther off the green gave way to the blue-green seas and the seas to infinity of horizon.
Closer, Changi lost its beauty and became what it was — an obscene forbidding prison. Cellblocks surrounded by sun-baked courtyards surrounded by towering walls.
Inside the walls, inside the cellblocks, story on story, were cells for two thousand prisoners at capacity. Now, in the cells and in the passageways and in every nook and cranny lived some eight thousand men....
These men too were criminals. Their crime was vast. They had lost a war. And they had lived.

“Closer, Changi lost its beauty and became what it was — an obscene forbidding prison.”

Prologue
King Rat (1962)
Context: Changi was set like a pearl on the eastern tip of Singapore Island, iridescent under the bowl of tropical skies. It stood on a slight rise and around it was a belt of green, and farther off the green gave way to the blue-green seas and the seas to infinity of horizon.
Closer, Changi lost its beauty and became what it was — an obscene forbidding prison. Cellblocks surrounded by sun-baked courtyards surrounded by towering walls.
Inside the walls, inside the cellblocks, story on story, were cells for two thousand prisoners at capacity. Now, in the cells and in the passageways and in every nook and cranny lived some eight thousand men....
These men too were criminals. Their crime was vast. They had lost a war. And they had lived.

“Grey was not alone in his hatred. The whole of Changi hated King.”

Part 1, Ch. 1.
King Rat (1962)
Context: Grey was not alone in his hatred. The whole of Changi hated King. They hated him for his muscular body, the clear glow in his blue eyes. In the twilight world of the half alive there were no fat or well-built or round or smooth or fair-built or thick-built men. There were only faces dominated by eyes and set on bodies that were skin over sinews and bones. No difference between them but age and face and height. And in all this world, only the King ate like a man, smoked like a man, slept like a man, dreamed like a man and looked like a man.

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