Quotes from book
Discipline and Punish

Discipline and Punish
Michel Foucault Original title Surveiller et punir , Naissance de la prison (French, 1975)

Discipline and Punish: The Birth of the Prison is a 1975 book by the French philosopher Michel Foucault. It is an analysis of the social and theoretical mechanisms behind the changes that occurred in Western penal systems during the modern age based on historical documents from France. Foucault argues that prison did not become the principal form of punishment just because of the humanitarian concerns of reformists. He traces the cultural shifts that led to the predominance of prison via the body and power. Prison used by the "disciplines" – new technological powers that can also be found, according to Foucault, in places such as schools, hospitals, and military barracks.In a later work, Security, Territory, Population, Foucault admitted that he was somewhat overzealous in his argument that disciplinary power conditions society; he amended and developed his earlier ideas.


Michel Foucault photo

“The soul is the effect and instrument of a political anatomy; the soul is the prison of the body”

Discipline and Punish (1977)
Context: The man described for us, whom we are invited to free, is already in himself the effect of a subjection much more profound than himself. A 'soul' inhabits him and brings him to existence... the soul is the effect and instrument of political anatomy; the soul is the prison of the body.
Context: But let there be no misunderstanding: it is not that a real man, the object of knowledge, philosophical reflection or technological intervention, has been substituted for the soul, the illusion of theologians. The man described for us, whom we are invited to free, is already in himself the effect of a subjection more profound than himself. A 'soul' inhabits him and brings him to existence, which is itself a factor in the mastery that power exercises over the body. The soul is the effect and instrument of a political anatomy; the soul is the prison of the body.

Michel Foucault photo

“But the guilty person is only one of the targets of punishment. For punishment is directed above all at others, at all the potentially guilty.”

Source: Discipline and Punish (1977), Chapter Three, The Gentle Way in Punishment
Context: This, then, is how one must imagine the punitive city. At the crossroads, in the gardens, at the side of roads being repaired or bridges built, in workshops open to all, in the depths of mines that may be visited, will be hundreds of tiny theatres of punishment. Each crime will have its law; each criminal his punishment. It will be a visible punishment, a punishment that tells all, that explains, justifies itself, convicts: placards, different-coloured caps bearing inscriptions, posters, symbols, texts read or printed, tirelessly repeat the code. Scenery, perspectives, optical effects, trompe-l’œil sometimes magnify the scene, making it more fearful than it is, but also clearer. From where the public is sitting, it is possible to believe in the existence of certain cruelties which, in fact, do not take place. But the essential point, in all these real or magnified severities, is that they should all, according to a strict economy, teach a lesson: that each punishment should be a fable. And that, in counterpoint with all the direct examples of virtue, one may at each moment encounter, as a living spectacle, the misfortunes of vice. Around each of these moral ‘representations’, schoolchildren will gather with their masters and adults will learn what lessons to teach their offspring. The great terrifying ritual of the public execution gives way, day after day, street after street, to this serious theatre, with its multifarious and persuasive scenes. And popular memory will reproduce in rumour the austere discourse of the law. But perhaps it will be necessary, above these innumerable spectacles and narratives, to place the major sign of punishment for the most terrible of crimes: the keystone of the penal edifice.

Michel Foucault photo

“The 'Enlightenment', which discovered the liberties, also invented the disciplines.”

Discipline and Punish (1977)
Source: Discipline and Punish: The Birth of the Prison

Michel Foucault photo
Michel Foucault photo

“there is no glory in punishing”

Source: Discipline and Punish: The Birth of the Prison

Michel Foucault photo

“Visibility is a trap.”

Source: Discipline and Punish: The Birth of the Prison

Michel Foucault photo
Michel Foucault photo
Michel Foucault photo
Michel Foucault photo
Michel Foucault photo
Michel Foucault photo
Michel Foucault photo

“The disappearance of public executions marks therefore the decline of the spectacle; but it also marks a slackening of the hold on the body.”

Source: Discipline and Punish (1977), Chapter One, The Spectacle of the Scaffold

Michel Foucault photo
Michel Foucault photo
Michel Foucault photo
Michel Foucault photo
Michel Foucault photo
Michel Foucault photo

“The public execution, then, has a juridico-political function. It is a ceremonial by which a momentarily injured sovereignty is reconstituted.”

Source: Discipline and Punish (1977), Chapter One, The Spectacle of the Scaffold
Context: The public execution, then, has a juridico-political function. It is a ceremonial by which a momentarily injured sovereignty is reconstituted. It restores that sovereignty by manifesting it at its most spectacular. The public execution, however hasty and everyday, belongs to a whole series of great rituals in which power is eclipsed and restored (coronation, entry of the king into a conquered city, the submission of rebellious subjects); over and above the crime that has placed the sovereign in contempt, it deploys before all eyes an invincible force. Its aim is not so much to re-establish a balance as to bring into play, as its extreme point, the dissymmetry between the subject who has dared to violate the law and the all-powerful sovereign who displays his strength.

Michel Foucault photo

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