Quotes about ambience

A collection of quotes on the topic of ambience, change, difference.

Quotes about ambience

“As a general rule of biology, migratory species are less 'aggressive' than sedentary ones.

There is one obvious reason why this should be so. The migration itself, like the pilgrimage, is the hard journey: a 'leveller' on which the 'fit' survive and stragglers fall by the wayside.

The journey thus pre-empts the need for hierarchies and shows of dominance. The 'dictators' of the animal kingdom are those who live in an ambience of plenty. The anarchists, as always, are the 'gentlemen of the road'.”

Bruce Chatwin book The Songlines

Source: The Songlines

Animals

“Living systems are units of interactions; they exist in an ambience. From a purely biological point of view they cannot be understood independently of that part of the ambience with which they interact: the niche; nor can the niche be defined independently of the living system that specifies it.”

Humberto Maturana (1928) Chilean biologist and philosopher

Source: Biology of Cognition (1970), p. 9.

Parting

“I wanted to change the rules of engagement, asking for more— from fewer. I was insisting that we had to have only the best people…If you wanted excellence, at a minimum, the ambience had to reflect excellence.”

Jack Welch (1935) American executive: General Electric CEO

Source: Jack: Straight from the Gut (2001), Ch. 9.

People, Change

“The cinema is about other things than storytelling. What you remember from a good film -- and let's only talk about good films -- is not the story, but a particular and hopefully unique experience that is about atmosphere, ambience, performance, style, an emotional attitude, gestures, singular events, a particular audio-visual experience that does not rely on the story.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

“Imperfect markets are different. (…) Similarly, in Paul Krugman’s neat adaptation, “all perfect markets are perfect in the same way: all imperfect markets imperfect in their own different way.” But truly perfect markets exist only in economists’ models; in the real world, markets are imperfect. But within imperfect markets there is a range from those that work well enough for a laissez-faire approach to be broadly valid to those for which market failure or imperfection is extreme and inherent. The market for restaurants works pretty well. The best way to ensure a range of restaurants that provide us with variety, incentives for good service, and enjoyment of changing ambience and menu is to let entrepreneurship do its business—let thousands of flowers bloom, some to succeed and some to wilt.”

Adair Turner, Baron Turner of Ecchinswell (1955) British businessman

Source: Economics after the crisis : objectives and means (2012), Ch. 2 : Financial Markets: Efficiency, Stability, and Income Distribution

World, Way, Flowers, Failure

“The metaphysical forms which compose our futurist pictures are the result of realities conceived and realities created entirely by the artist. These last are inspired by the emotion or intuition and dependent on atmosphere-ambience.”

Gino Severini (1883–1966) Italian painter

Quote of Severine 1913, from the opening paragraphs of his text 'Art du fantastique dans le sacre', as cited in Gino Severini Ecrits sur l'art, (1913-1962), with a preface by Serge Fauchereau, (Paris: Editions Cercle d'Art, 1987), p. 47
Severini opens 'Art du fantastique' with a theoretical explanation of the concept, form and content of a Futurist work

Reality, Dependency

“In making the four-channel video work Dachau, my experience as a weaver directly influenced the basic structuring of the work. The content itself was taped in 1974 at the former concentration camp Dachau. The symmetry of the architecture and the present ambience of the space were the focus of the recordings. The past was recorded only insofar as the sounds of the voices of the present commingled with the feeling absorbed in the wood and revealed in the structure of forms which has no amount of time can erase.”

Beryl Korot (1945) American artist

Source: Dachau 1974, by Beryl Korot, p. 75

Feeling, Time, Past

“We [Emilio and I] fell in love with the Old World Florida ambience, beautiful beaches and warm people. We discovered Vero Beach when we were looking for a vacation home that was close to Miami but gave us a different feel than what we were used to. We hope to increase the awareness of Vero Beach by hightlighting the many wonderful things that made us fall in love with it. We want the rest of the world to realize what a gem this place is. We hope to welcome our friends from the entertainment world at the opening as well as members of the community. It will be a warm, special and intimate event. We will open our doors the same way that Vero Beach opened its doors to us.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment regarding opening of the Estefans' new luxury hotel,Costa d'Este (East Coast), in Vero Beach, Florida in January of 2008 www.sun-sentinel.com (June 23, 2007)
2007, 2008

Love, People, World, Beauty

“The night room heaves a sigh, yes Heaves, a Sigh — old-fashioned comical room, oh me I'm hopeless, born a joker never change, flirting away through the mirrorframe in something green-striped, pantalooned, and ruffled — meantime though, it is quaint, most rooms today hum you know, have been known also to "breathe," yes even wait in hushed expectancy and that ought to be the rather sinister tradition here, long slender creatures, heavy perfume and capes in rooms assailed by midnight, pierced with spiral stairways, blue-petaled pergolas, an ambience in which no one, however provoked or out of touch, my dear young lady, ever, Heaves, a Sigh. It is not done.”

Thomas Pynchon book Gravity's Rainbow

Gravity's Rainbow (1973)

Fashion, Change, Waiting, Night

“A heavy task, but there was light relief
In the Germanic ambience, boisterous, brash,
Torchlit parades and pogroms, guttural grief
In emigration queues, the smash and crash
Of pawnshop windows by insentient beef
In uniform, the gush of beer, the splash
Of schnapps, the joy of being drunk and Aryan,
Though Hitler was a teetotalitarian.
Human pain meant
But little in the Gulf War's visual grammar, a
Big feast of death to feed the cinecamera”

Anthony Burgess (1917–1993) English writer

Byrne
Poetry

Death, Pain, War, Beer

“There is a Carot's law to pain. It is measured not by absolutes, but the difference between source and ambience, and my ambience had been too safe and too pleasurable for too long to equip me for this.”

Frederik Pohl book Beyond the Blue Event Horizon

Beyond the Blue Event Horizon (1980)
Context: When my mother died and left me it hurt, but I was poor and confused and used to hurting. When the love of my life, or at any rate the woman who seemed to come to be the love of my life after she was safely gone, also left me — without quite dying, because she was stuck in some awful astrophysical anomaly and far out of reach forever — that also hurt. But I was hurting all over anyway then. I wasn't used to happiness, hadn't formed the habit of it. There is a Carot's law to pain. It is measured not by absolutes, but the difference between source and ambience, and my ambience had been too safe and too pleasurable for too long to equip me for this. I was in shock.

Pain, Pleasure, Law