“A fact will often show poor and plain in contrast to the leapings of imagination.”
Source: The Devil in Massachusetts: A Modern Enquiry into the Salem Witch Trials (1949), Chapter 17, “Eight Firebrands of Hell” (p. 205)
31 May 1830.
Table Talk (1821–1834)
Context: The Pilgrim's Progress is composed in the lowest style of English, without slang or false grammar. If you were to polish it, you would at once destroy the reality of the vision. For works of imagination should be written in very plain language; the more purely imaginative they are the more necessary it is to be plain.
“A fact will often show poor and plain in contrast to the leapings of imagination.”
Source: The Devil in Massachusetts: A Modern Enquiry into the Salem Witch Trials (1949), Chapter 17, “Eight Firebrands of Hell” (p. 205)
The Principles of Success in Literature (1865)
Context: The selective instinct of the artist tells him when his language should be homely, and when it should be more elevated; and it is precisely in the imperceptible blending of the plain with the ornate that a great writer is distinguished. He uses the simplest phrases without triviality, and the grandest without a suggestion of grandiloquence.
On the Educational Value of the Medical Society (1903), p. 333
As quoted in Plain Mr. Jinnah : Selections from Quaid-e-Azam's Correspondence (1976)
letter to Mrs. J.D. Hooker http://www.westadamsheritage.org/katharine-putnam-hooker (19 September 1911); published in The Life and Letters of John Muir http://www.sierraclub.org/john_muir_exhibit/life/life_and_letters/default.aspx (1924), chapter 17, II; and in John Muir's Last Journey, edited by Michael P. Branch (Island Press, 2001), page 67
1910s