Kenneth Tynan (1927–1980) English theatre critic and writer
Foreword
Tynan Right and Left (1967)
Source: Housekeeping
Kenneth Tynan (1927–1980) English theatre critic and writer
Foreword
Tynan Right and Left (1967)
Willem de Kooning (1904–1997) Dutch painter
Original: Original in Dutch: Kunst lijkt me nooit volledig of zuiver te maken. Het is of ik altijd verwikkeld ben in het melodrama van de alledaagsheid. [...]
Source: Quote of De Kooning from Beyond the Aesthetic, Robert Motherwell, Design 47, April 1946, as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 101.
John Bright (1811–1889) British Radical and Liberal statesman
Letter to his wife, quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), p. 354.
1860s
Stanislaw Ulam (1909–1984) Polish-American mathematician
as quoted by Olgierd Budrewicz in The melting-pot revisited: twenty well-known Americans of Polish background http://books.google.com/books?ei=jntPUNaTMafZ0QHMloGQBQ&id=pc51AAAAMAAJ&dq=Olgierd+Budrewicz%7C&q=Sometimes+I+muse#search_anchor, publish by Interpress, page 36, 1977.
Teresa of Ávila (1515–1582) Roman Catholic saint
Source: The Life of St. Teresa of Jesus (c.1565), Ch. XXV. "Divine Locutions. Discussions on That Subject" ¶ 25
Context: I feared them so little, that the terrors, which until now oppressed me, quitted me altogether; and though I saw them occasionally, — I shall speak of this by and by, — I was never again afraid of them — on the contrary, they seemed to be afraid of me. I found myself endowed with a certain authority over them, given me by the Lord of all, so that I cared no more for them than for flies. They seem to be such cowards; for their strength fails them at the sight of any one who despises them. These enemies have not the courage to assail any but those whom they see ready to give in to them, or when God permits them to do so, for the greater good of His servants, whom they may try and torment.
Gerhard Richter (1932) German visual artist, born 1932
Source: after 2000, Doubt and belief in painting' (2003), p. 96, note 30