
written text with brush, in her last painting JHM no. 4925 https://commons.wikimedia.org/wiki/File:Charlotte_Salomon_-_JHM_4925.jpg: (558) 'Life? or Theater..', p. 824
Charlotte Salomon - Life? or Theater?
Source: Les Misérables
written text with brush, in her last painting JHM no. 4925 https://commons.wikimedia.org/wiki/File:Charlotte_Salomon_-_JHM_4925.jpg: (558) 'Life? or Theater..', p. 824
Charlotte Salomon - Life? or Theater?
“And from that came:
Life or Theatre?”
Charlotte's last written page in brush, related to JHM no. 4925T https://commons.wikimedia.org/wiki/File:Charlotte_Salomon_-_JHM_-_4925T.jpg: 'Life? or Theater..', p. 823
Charlotte Salomon - Life? or Theater?
“A garden is always a series of losses set against a few triumphs, like life itself.”
Games for Actors and non-Actors (1992)
Context: In truth the Theatre of the Oppressed has no end, because everything which happens in it must extend into life…. The Theatre of the Oppressed is located precisely on the frontier between fiction and reality – and this border must be crossed. If the show starts in fiction, its objective is to become integrated into reality, into life. Now in 1992, when so many certainties have become so many doubts, when so many dreams have withered on exposure to sunlight, and so many hopes have become as many deceptions – now that we are living through times and situations of great perplexity, full of doubts and uncertainties, now more than ever I believe it is time for a theatre which, at its best, will ask the right questions at the right times. Let us be democratic and ask our audiences to tell us their desires, and let us show them alternatives. Let us hope that one day – please, not too far in the future – we’ll be able to convince or force our governments, our leaders, to do the same; to ask their audiences – us – what they should do, so as to make this world a place to live and be happy in – yes, it is possible – rather than just a vast market in which we sell our goods and our souls. Let’s hope. Let’s work for it!
Source: The Dark Is Rising (1965-1977), Silver on the Tree (1977), Chapter 9 “The City” (p. 139)
“Marriage, a market which has nothing free but the entrance.”
Attributed
The Theatre of Cruelty, in The Theory of the Modern Stage (ed. Eric Bentley) (1968).
"On Medical Education" (1870) http://aleph0.clarku.edu/huxley/CE3/MedEd.html
1870s
Context: I can assure you that there is the greatest practical benefit in making a few failures early in life. You learn that which is of inestimable importance — that there are a great many people in the world who are just as clever as you are. You learn to put your trust, by and by, in an economy and frugality of the exercise of your powers, both moral and intellectual; and you very soon find out, if you have not found it out before, that patience and tenacity of purpose are worth more than twice their weight of cleverness.