“Wow, it´s like a creeping death””

The House in Paris (1935)

The Legend of Jubal (1869)
Context: But ere the laughter died from out the rear,
Anger in front saw profanation near;
Jubal was but a name in each man's faith
For glorious power untouched by that slow death
Which creeps with creeping time; this too, the spot,
And this the day, it must be crime to blot,
Even with scoffing at a madman's lie:
Jubal was not a name to wed with mockery.
Two rushed upon him: two, the most devout
In honor of great Jubal, thrust him out,
And beat him with their flutes. 'Twas little need;
He strove not, cried not, but with tottering speed,
As if the scorn and howls were driving wind
That urged his body, serving so the mind
Which could but shrink and yearn, he sought the screen
Of thorny thickets, and there fell unseen.
The immortal name of Jubal filled the sky,
While Jubal lonely laid him down to die.

Source: Night-Thoughts (1742–1745), Night II, Line 641.

Source: Auntie Mame: An Irreverent Escapade

Source: The Waste Lands

Source: Darkfever

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995)

"The Old Player" (1861), in Songs in Many Keys (1862).
Context: Dream on! Though Heaven may woo our open eyes,
Through their closed lids we look on fairer skies;
Truth is for other worlds, and hope for this;
The cheating future lends the present's bliss;
Life is a running shade, with fettered hands,
That chases phantoms over shifting sands;
Death a still spectre on a marble seat,
With ever clutching palms and shackled feet;
The airy shapes that mock life's slender chain,
The flying joys he strives to clasp in vain,
Death only grasps; to live is to pursue, —
Dream on! there 's nothing but illusion true!