Source: The Beak of the Finch: A Story of Evolution in Our Time (1994), Chapter 20, The Metaphysical Crossbeak (p. 289)
“A motion to adjourn is always in order.”
Source: Time Enough for Love
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Robert A. Heinlein 557
American science fiction author 1907–1988Related quotes

"Political Correctness: Robert Bly and Philip Larkin" (1997)
Context: In Andrew Motion's book, we have the constant sense that Larkin is somehow falling short of the cloudless emotional health enjoyed by, for instance, Andrew Motion. Also the sense, as Motion invokes his like-minded contemporaries, that Larkin is being judged by a newer, cleaner, braver, saner world. … Motion is extremely irritated by Larkin's extreme irritability. He's always complaining that Larkin is always complaining.
Source: In Defense of Chaos: The Chaology of Politics, Economics and Human Action, (2013), p. 135

1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

A Theory of Roughness (2004)
Context: When you seek some unspecified and hidden property, you don't want extraneous complexity to interfere. In order to achieve homogeneity, I decided to make the motion end where it had started. The resulting motion biting its own tail created a distinctive new shape I call Brownian cluster. … Today, after the fact, the boundary of Brownian motion might be billed as a "natural" concept. But yesterday this concept had not occurred to anyone. And even if it had been reached by pure thought, how could anyone have proceeded to the dimension 4/3? To bring this topic to life it was necessary for the Antaeus of Mathematics to be compelled to touch his Mother Earth, if only for one fleeting moment.

“It takes a motion to notion
and it takes a notion to motion.”
"Tomorrow is Never" (1972), p. 253
Sun Ra : The Immeasurable Equation (2005)

Boccioni's quote on motion; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 328.
1914 - 1916, Pittura e scultura futuriste' Milan, 1914

“…life is not so much motion as an inventless repetition of motion.”
Charles Mallinson in Ch. 8
The Mansion (1959)