“Life itself is a privilege, but to live life to the fullest- well, that is a choice.”

Source: Life, the Truth, and Being Free (2010), p. 28
Context: Although time seems to fly by, it never travels faster than one day at a time. Each day is a new opportunity to live your life to the fullest.

Source: Colorless Tsukuru Tazaki and His Years of Pilgrimage

Source: Second Helpings

The Tall Office Building Artistically Considered (1896)
Context: We must now heed the imperative voice of emotion.
It demands of us, What is the chief characteristic of the tall office building? And at once we answer, it is lofty. This loftiness is to the artist-nature its thrilling aspect. It is the very open organ-tone in its appeal. It must be in turn the dominant chord in his expression of it, the true excitant of his imagination. It must be tall, every inch of it tall. The force and power of altitude must be in it the glory and pride of exaltation must be in it. It must be every inch a proud and soaring thing, rising in sheer exultation that from bottom to top it is a unit without a single dissenting line, — that it is the new, the unexpected, the eloquent peroration of most bald, most sinister, most forbidding conditions.
The man who designs in this spirit and with the sense of responsibility to the generation he lives in must be no coward, no denier, no bookworm, no dilettante. He must live of his life and for his life in the fullest, most consummate sense. He must realize at once and with the grasp of inspiration that the problem of the tall office building is one of the most stupendous, one of the most magnificent opportunities that the Lord of Nature in His beneficence has ever offered to the proud spirit of man.
That this has not been perceived — indeed, has been flatly denied — is an exhibition of human perversity that must give us pause.

A Retrospective Glance at the Lifework of a Master of Books
Fragments of a Poetics of Fire (1988)

Preface to Mudan Ting dated 1598; in The Peony Pavilion, trans. Cyril Birch (Bloomington and Indianapolis: Indiana University Press, 2002), p. ix
Context: Love is of source unknown, yet it grows ever deeper. The living may die of it, by its power the dead live again. Love is not love at its fullest if one who lives is unwilling to die for it, or if it cannot restore to life one who has so died. And must the love that comes in dream necessarily be unreal? For there is no lack of dream lovers in this world.

Source: Attributed, Dictionary of Burning Words of Brilliant Writers (1895), P. 209.