
“Our bodies hold our minds hostage to their whims and rhythms.”
Source: The Consolations of Philosophy (2000), Chapter IV, Consolation For Inadequacy, p. 122.
Source: The Second Sex
“Our bodies hold our minds hostage to their whims and rhythms.”
Source: The Consolations of Philosophy (2000), Chapter IV, Consolation For Inadequacy, p. 122.
The Renaissance in India (1918)
"Susan Sontag: The Rolling Stone Interview" with Jonathan Cott (1978; published 4 October 1979)
Context: One of my oldest crusades is against the distinction between thought and feeling... which is really the basis of all anti-intellectual views: the heart and the head, thinking and feeling, fantasy and judgment. We have more or less the same bodies, but very different kinds of thoughts. I believe that we think much more with the instruments provided by our culture than we do with our bodies, and hence the much greater diversity of thought in the world. Thinking is a form of feeling; feeling is a form of thinking.
n.p.
Tim Marlow joins Anselm Kiefer to discuss his work' - 2005
“The body is an instrument which only gives off music when it is used as a body.”
The Diary Of Anais Nin, Volume Two (1934-1939)
Diary entries (1914 - 1974)
Context: The body is an instrument which only gives off music when it is used as a body. Always an orchestra, and just as music traverses walls, so sensuality traverses the body and reaches up to ecstasy.
“In Western thought, the body holds the soul; in Indian thought, the soul holds the body.”
On Hinduism (2000)
“The soul is the effect and instrument of a political anatomy; the soul is the prison of the body”
Discipline and Punish (1977)
Context: The man described for us, whom we are invited to free, is already in himself the effect of a subjection much more profound than himself. A 'soul' inhabits him and brings him to existence... the soul is the effect and instrument of political anatomy; the soul is the prison of the body.
Context: But let there be no misunderstanding: it is not that a real man, the object of knowledge, philosophical reflection or technological intervention, has been substituted for the soul, the illusion of theologians. The man described for us, whom we are invited to free, is already in himself the effect of a subjection more profound than himself. A 'soul' inhabits him and brings him to existence, which is itself a factor in the mastery that power exercises over the body. The soul is the effect and instrument of a political anatomy; the soul is the prison of the body.
“I see my body as an instrument, rather than an ornament.”
“The human body is an instrument for the production of art in the life of the human soul.”
Source: 1930s, Adventures of Ideas (1933), p. 349.