The Real Frank Zappa Book (1989)
Context: The Ultimate Rule ought to be: 'If it sounds GOOD to you, it's bitchin'; if it sounds BAD to YOU, it's shitty. The more your musical experience, the easier it is to define for yourself what you like and what you don't like. American radio listeners, raised on a diet of _____ (fill in the blank), have experienced a musical universe so small they cannot begin to know what they like.
“If you develop an ear for sounds that are musical it is like developing an ego. You begin to refuse sounds that are not musical and that way cut yourself off from a good deal of experience.”
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John Cage 43
American avant-garde composer 1912–1992Related quotes
Interview with Robin Denselow (May 2008)
Source: Denselow, Robin, http://arts.guardian.co.uk/filmandmusic/story/0,,2280144,00.html, Robin Denselow talks to African superstar and activist Miriam Makeba, The Guardian, 15, London, 16 May 2008, 18 November 2010
Quote of Kandinsky, 1911; in Concerning the Spiritual in Art, transl. Michael T. Sadler (1914); reprint. New York: Dover, 1977), p. 17
1910 - 1915
“Feelings are images, sensations are like musical sounds.”
February, 1932<!-- p. 51 -->
Diary entries (1914 - 1974)
Context: We don't have a language for the senses. Feelings are images, sensations are like musical sounds.
Where Is Jazz Going? Music Journal (1962) Reproduced in The Duke Ellington Reader, ISBN 978-0-19-509391-9.
Six String Orchestra
Song lyrics, Verities & Balderdash (1974)
Amacher, 1999, cited in: Franziska Schroeder (2006). Bodily instruments and instrumental bodies. Vol. 25. p. 74:
Description of how "ears act as instruments and emit sounds as well as receive them (Amacher, 1999)... [and] the way these 'otoacoustic emissions' might function."