What's Wrong with this Pillow? http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&id=PHTOAD000042000004000009000001&idtype=cvips&gifs=Yes by N. David Mermin, Cornell University, Physics Today, April 1989, page 9, doi:10.1063/1.2810963
Misattributed to Richard Feynman, by Matthew effect.
Attribution discussed in: Could Feynman Have Said This? http://scitation.aip.org/journals/doc/PHTOAD-ft/vol_57/iss_5/10_1.shtml by N. David Mermin, Physics Today, May 2004, page 10 ( DOC http://web.archive.org/web/20040929192449/http://www.fisica.unlp.edu.ar/materias/FisGral2/PhysicsToday/PhysicsTodayMay2004ReferenceFrame.doc)
“He formed his sentences hesitantly and then threw them at me with such force that I felt as if I were receiving a present each time”
Source: The Mandarins
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Simone de Beauvoir 152
French writer, intellectual, existentialist philosopher, po… 1908–1986Related quotes
On what she calls her writing style in “Bernardine Evaristo: ‘I want to put presence into absence’” https://www.theguardian.com/books/2019/apr/27/bernardine-evaristo-girl-woman-other-interview in The Guardian (2019 Apr 27)
Source: The End of Science (1996), p. 212
On what led her to write Heart Berries in “Why 'Heart Berries' Author Terese Marie Mailhot Doesn't Use The Word ‘Resilient’" https://www.bustle.com/p/why-heart-berries-author-terese-marie-mailhot-doesnt-use-the-word-resilient-8134108 in Bustle Magazine (2018 Feb 7)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 90.
pg. 293
The Sports and Pastimes of the People of England (1801), Bell ringing
Writers at Work interview (1958)
Context: I think myself as a fabulist, not a critic. I realize that every writer is necessarily a critic — that is, each sentence is a skeleton accompanied by enormous activity of rejection; and each selection is governed by general principles concerning truth, force, beauty, and so on. But, as I have just suggested, I believe that the practice of writing consists in more and more relegating all that schematic operation to the subconscious. The critic that is in every fabulist is like the iceberg — nine-tenths of him is underwater.
and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have".
Phlogiston interview (1995)