 
                            
                        
                        
                        the conclusion of the historical Stern-Gerlach experiment, in The Method of Molecular Rays http://nobelprize.org/nobel_prizes/physics/laureates/1943/stern-lecture.html, Nobel Lecture, December 12, 1946.
Source: Blue Octavo Notebooks
the conclusion of the historical Stern-Gerlach experiment, in The Method of Molecular Rays http://nobelprize.org/nobel_prizes/physics/laureates/1943/stern-lecture.html, Nobel Lecture, December 12, 1946.
                                        
                                        "On Reading Fawcett's Lines On Revisiting Scenes Of Early Life" in  Poems of the Late Francis Scott Key, Esq. (1857), p. 87. 
Context: p>So sings the world's fond slave! so flies the dream
Of life's gay morn; so sinks the meteor ray
Of fancy into darkness; and no beam
Of purer light shines on the wanderer's way.So sings not he who soars on other wings
Than fancy lends him; whom a cheering faith
Warms and sustains, and whose freed spirit springs
To joys that bloom beyond the reach of death.And thou would'st live again! again dream o'er
The wild and feverish visions of thy youth
Again to wake in sorrow, and deplore
Thy wanderings from the peaceful paths of truth!  Yet yield not to despair! be born again,
And thou shalt live a life of joy and peace,
Shall die a death of triumph, and thy strain
Be changed to notes of rapture ne'er to cease.</p
                                    
                                
                                    “Without hatred where's the light?
Without darkness where's the love?”
                                
                                
                                
                                
                            
                                        
                                        JTR 
The Lillywhite Sessions (2001)
                                    
“Where art thou, beam of light? Hunters, from the mossy rock, saw ye the blue-eyed fair?”
                                        
                                        Temora, Book VI, p. 353 
The Poems of Ossian
                                    
                                        
                                        Quote of Pollock, from Twentieth-century American painting, Gail Levin, The Thyssen-Bornemisza collection. London, 1987, p. 267 
1940's, Art and Architecture (1944)
                                    
 
                            
                        
                        
                         
                            
                        
                        
                         
                            
                        
                        
                        