
“There are two people in every photograph: the photographer and the viewer”
Context: I would never apologize for photographing rocks. Rocks can be very beautiful. But, yes, people have asked why I don’t put people into my pictures of the natural scene. I respond, “There are always two people in every picture: the photographer and the viewer.” That usually doesn’t go over at all.
“There are two people in every photograph: the photographer and the viewer”
Becker (1986) "Do Photographs Tell the Truth?” and “Aesthetics and Truth" as cited in: Ingolf Erler (2010) Das Buch als soziales Symbol. p. 147.
As quoted in Photo (2005) by Graphis Inc. http://books.google.com/books?id=m9RTAAAAMAAJ&q=%22Le+Pen+adored
Context: I like photographing the people I love, the people I admire, the famous, and especially the infamous. My last infamous subject was the extreme right wing French politician Jean-Marie Le Pen. Even when I am not in sympathy with the person, I have to be in love with him or her while I'm doing their portrait. Le Pen adored me (at least until his photo ran alongside Hitler's in Le Monde), and we got on extremely well.
“Not everybody trusts paintings but people believe photographs.”
“I do not photograph nature. I photograph my visions. Quoted in”
http://www.pbs.org/wnet/americanmasters/episodes/man-ray/prophet-of-the-avant-garde/510/ PBS episode of American Masters