“507. All Cats are alike grey in the Night.”
Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)
“507. All Cats are alike grey in the Night.”
Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)
“In the night all cats are gray.”
Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright
Source: Don Quixote de la Mancha (1605–1615), Part II (1615), Book III, Ch. 33.
Charles Bukowski book Betting on the Muse: Poems and Stories
Source: Betting on the Muse: Poems and Stories
John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs
When all candles are out, all cats are grey,
All things are then of one color, as who say.
And this proverb faith, for quenching hot desire,
Foul water as soon as faire, will quench hot fire.
Part I, chapter 5.
Proverbs (1546)
James Thomson (B.V.) (1834–1882) Scottish writer (1834-1882)
Part I
The City of Dreadful Night (1870–74)
“Grey and grey and grey and grey”
Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author
Lyrics, Misc.
George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement
The Prisoner of Chillon http://readytogoebooks.com/PC31.htm, st. 1 (1816).
Arthur Schopenhauer book The World as Will and Representation
Quoted by Jorge Luis Borges in his essay "A History of Eternity"
The World as Will and Representation (1819; 1844; 1859)
Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature
"A History of Eternity" in Selected Non-Fictions Vol. 1, (1999), edited by Eliot Weinberger
Context: I turn to the most promising example: the bird. The habit of flocking; smallness; similarity of traits; their ancient connection with the two twilights, the beginnings of days, and the endings; the fact of being more often heard than seen — all of this moves us to acknowledge the primacy of the species and the almost perfect nullity of individuals. Keats, entirely a stranger to error, could believe that the nightingale enchanting him was the same one Ruth heard amid the alien corn of Bethlehem in Judah; Stevenson posits a single bird that consumes the centuries: "the nightingale that devours time." Schopenhauer — impassioned, lucid Schopenhauer — provides a reason: the pure corporeal immediacy in which animals live, oblivious to death and memory. He then adds, not without a smile: Whoever hears me assert that the grey cat playing just now in the yard is the same one that did jumps and tricks there five hundred years ago will think whatever he likes of me, but it is a stranger form of madness to imagine that the present-day cat is fundamentally an entirely different one.