“Your very flesh shall be a great poem…”

Variant: And your very flesh shall be a great poem.
Source: Leaves of Grass

Last update June 3, 2021. History

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Walt Whitman 181
American poet, essayist and journalist 1819–1892

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“Love the earth and sun and animals,
Despise riches, give alms to everyone that asks,
Stand up for the stupid and crazy,
Devote your income and labor to others…
And your very flesh shall be a great poem.”

Walt Whitman (1819–1892) American poet, essayist and journalist

From the Preface to the 1855 edition of <i>Leaves of Grass</i>
Context: This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body. . . .
Context: This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life, re examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.... The poet shall not spend his time in unneeded work. He shall know that the ground is always ready ploughed and manured.... others may not know it but he shall. He shall go directly to the creation. His trust shall master the trust of everything he touches.... and shall master all attachment.

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“Not your flesh nor bones shall bejudge in the A'khira (Judgement day), but your brain, the centre of consciousness where you reside. You as a soul shall be judged.”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Narrated by Al-Bukhari and Muslim [citation needed]
Sunni Hadith

Jericho Brown photo

“What happens at the beginning of your poem has to—because it’s a poem—be transformed by the end of your poem. So if the triggering moment for the beginning of your poem is a known political moment, I am fine with that, that’s great. But as I’m reading, I expect it to change because that was just the trigger…”

Jericho Brown (1976) American writer

On how poems might be structured around a political theme in “JERICHO BROWN in conversation with MICHAEL DUMANIS” http://www.benningtonreview.org/jericho-brown-interview in Bennington Review (2018 Oct 27)

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“When you write a poem, you discover that the very necessity of fitting your meaning into such and such a form requires you to search in your imagination for new meanings.”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 6 : On the Limits of Creativity, p. 119
Context: When you write a poem, you discover that the very necessity of fitting your meaning into such and such a form requires you to search in your imagination for new meanings. You reject certain ways of saying it; you select others, always trying to form the poem again. In your forming, you arrive at new and more profound meanings than you had even dreamed of. Form is not a mere lopping off of meaning that you don't have room to put into your poem; it is an aid to finding new meaning, a stimulus to condensing your meaning, to simplifying and purifying it, and to discovering on a more universal dimension the essence you wish to express.

James Joyce photo
Edgar Allan Poe photo
Joyce Kilmer photo

“I think that I shall never see
A poem lovely as a tree.”

"Trees" - This poem was first published in Poetry: A Magazine of Verse Vol. 2 (August 1913). The first two lines were first written down on the 2nd of February 1913.
Trees and Other Poems (1914)
Source: Trees & Other Poems
Context: I think that I shall never see
A poem lovely as a tree.
A tree whose hungry mouth is prest
Against the earth's sweet flowing breast;
A tree that looks at God all day,
And lifts her leafy arms to pray;
A tree that may in Summer wear
A nest of robins in her hair;
Upon whose bosom snow has lain;
Who intimately lives with rain.
Poems are made by fools like me,
But only God can make a tree.

André Maurois photo

“Either the soul is immortal and we shall not die, or it perishes with the flesh and we shall not know that we are dead. Live, then, as if you were eternal”

André Maurois (1885–1967) French writer

Quoted by Will Durant in On the Meaning of Life http://books.google.com/books?id=XH5HAAAAIAAJ&q=%22Either+the+soul+is+immortal+and+we+shall+not+die+or+it+perishes+with+the+flesh+and+we+shall+not+know+that+we+are+dead+Live+then+as+if+you+were+eternal%22&pg=PA53#v=onepage (1932)
Context: What shall we know of our death? Either the soul is immortal and we shall not die, or it perishes with the flesh and we shall not know that we are dead. Live, then, as if you were eternal, and do not believe that your life has changed merely because it seems proved that the Earth is empty. You do not live in the Earth, you live in yourself.

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