Alice Notley (1945) American poet
Source: Mysteries of Small Houses
Source: The Cat Who Walks Through Walls
Alice Notley (1945) American poet
Source: Mysteries of Small Houses
“The taming and domestication of religion is one of the unceasing chores of civilization.”
Christopher Hitchens (1949–2011) British American author and journalist
"Free Exercise of Religion? No, Thanks." http://www.webcitation.org/query?url=http://www.slate.com/articles/news_and_politics/fighting_words/2010/09/free_exercise_of_religion_no_thanks.html&date=2012-06-19 Slate (Sept. 6, 2010). <br class="br">2010s, 2010
Alfre Woodard (1952) American film, stage, and television actress
On how mothers are typically portrayed in “Alfre Woodard Redefines Black Motherhood On Screen In ‘Juanita’” https://shadowandact.com/alfre-woodard-redefines-black-motherhood-on-screen-in-juanita in Shadow and Act (2019 Mar 11)
“Cure for writer's block: blow something up(in the story)”
Scott Westerfeld (1963) American science fiction writer
Charles James Napier (1782–1853) Commander-in-Chief in British India
Farwell, Byron: Queen Victoria's Little Wars, p. 27-31
Arthur Desmond (1859–1929) New Zealnd writer
Rival Caesars (1903)
“Beauty breeds beauty, truth triggers truth. The cure for writer's block is therefore to read.”
Matt Haig (1975) British writer
Source: The Humans
“The best way a writer can serve a revolution is to write as well as he can.”
Nadine Gordimer (1923–2014) South african Nobel-winning writer
Writing and Being (1991)
Context: Camus dealt with the question best. He said that he liked individuals who take sides more than literatures that do. 'One either serves the whole of man or does not serve him at all. And if man needs bread and justice, and if what has to be done must be done to serve this need, he also needs pure beauty which is the bread of his heart.' So Camus called for 'Courage in and talent in one's work.' And Márquez redefined tender fiction thus: The best way a writer can serve a revolution is to write as well as he can.
I believe that these two statements might be the credo for all of us who write. They do not resolve the conflicts that have come, and will continue to come, to contemporary writers. But they state plainly an honest possibility of doing so, they turn the face of the writer squarely to her and his existence, the reason to be, as a writer, and the reason to be, as a responsible human, acting, like any other, within a social context.