“The longer one is alone, the easier it is to hear the song of the earth.”

Screaming Infidelities

Rolling Stone interview (2005)

The Kate Bush Story (2014)
Context: You can hear one note of a Kate Bush song, or one note of her voice even, and know immediately what it is. And that is the biggest feat of any artist, especially when you consider, you know, all the roads that she's gone down.

The Angels' Song ("It Came Upon A Midnight Clear", 1849).

Bk. XI, l. 393.
The Prelude (1799-1805)

"The Dehumanisation of Art"; Ortega y Gasset later used this passage in The Revolt of the Masses (1929), quoting it in Ch. III: The Height Of The Times
The Dehumanization of Art and Ideas about the Novel (1925)
Context: This grave dissociation of past and present is the generic fact of our time and the cause of the suspicion, more or less vague, which gives rise to the confusion characteristic of our present-day existence. We feel that we actual men have suddenly been left alone on the earth; that the dead did not die in appearance only but effectively; that they can no longer help us. Any remains of the traditional spirit have evaporated. Models, norms, standards are no use to us. We have to solve our problems without any active collaboration of the past, in full actuality, be they problems of art, science, or politics. The European stands alone, without any living ghosts by his side; like Peter Schlehmil he has lost his shadow. This is what always happens when midday comes.

Unity, § II
The Golden Hynde and Other Poems (1914)
Context: Heart of my heart, we cannot die!
Love triumphant in flower and tree,
Every life that laughs at the sky
Tells us nothing can cease to be:
One, we are one with the song to-day,
One with the clover that scents the world,
One with the Unknown, far away,
One with the stars, when earth grows old.

Source: What I Talk About When I Talk About Running

http://snltranscripts.jt.org/04/04bupdate.phtml
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