“Remembrance is a creative and subjective act that uses the past to protect the present, prioritising the preservation of pain as a form of self-defence.”
Original: Il ricordo è un atto creativo e soggettivo che utilizza il passato per proteggere il presente, dando priorità alla conservazione del dolore come forma di autodifesa.
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Wallerstein (1974) The modern world system capitalist agriculture and the origins of the European world economy in the sixteenth century. New York: Academic Press.
"On the Tendency of Varieties to Depart Indefinitely From the Original Type" (1858).
Context: The powerful retractile talons of the falcon- and the cat-tribes have not been produced or increased by the volition of those animals; but among the different varieties which occurred in the earlier and less highly organized forms of these groups, those always survived longest which had the greatest facilities for seizing their prey. Neither did the giraffe acquire its long neck by desiring to reach the foliage of the more lofty shrubs, and constantly stretching its neck for the purpose, but because any varieties which occurred among its antitypes with a longer neck than usual at once secured a fresh range of pasture over the same ground as their shorter-necked companions, and on the first scarcity of food were thereby enabled to outlive them. [... ] We believe we have now shown that there is a tendency in nature to the continued progression of certain classes of varieties further and further from the original type - a progression to which there appears no reason to assign any definite limits - and that the same principle which produces this result in a state of nature will also explain why domestic varieties have a tendency to revert to the original type. This progression, by minute steps, in various directions, but always checked and balanced by the necessary conditions, subject to which alone existence can be preserved, may, it is believed, be followed out so as to agree with all the phenomena presented by organized beings, their extinction and succession in past ages, and all the extraordinary modifications of form, instinct, and habits which they exhibit.
Woman in the Nineteenth Century (1845)
Context: What I mean by the Muse is that unimpeded clearness of the intuitive powers, which a perfectly truthful adherence to every admonition of the higher instincts would bring to a finely organized human being. It may appear as prophecy or as poesy. … and should these faculties have free play, I believe they will open new, deeper and purer sources of joyous inspiration than have as yet refreshed the earth.
Let us be wise, and not impede the soul. Let her work as she will. Let us have one creative energy, one incessant revelation. Let it take what form it will, and let us not bind it by the past to man or woman, black or white.
