“Make of your life an ever-evolving work of art, and of your trauma, a sacred song that cannot be forgotten.”
Original: Fate della vostra vita un'opera d’arte in continua evoluzione, e del vostro trauma, un canto sacro che non si dimentica.
Source: prevale.net
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“In art, immorality cannot exist. Art is always sacred”
Albert Edward Elsen (1985). The Gates of Hell by Auguste Rodin. p. 131
1950s-1990s
Context: In art, immorality cannot exist. Art is always sacred even when it takes for a subject the worst excesses of desire; since it has in view only the sincerity of observation, it cannot debase itself. A true work of art is always noble, even when it translates the stirrings of the brute, for at that moment, the artist who has produced it had as his only objective, the most conscientious rendering possible of the impression he has felt.

“Make your existence in the world one of the most beautiful works of art in history.”
Original: Fate della vostra esistenza nel mondo una delle più belle opere d'arte della storia.
Source: prevale.net

"The magician" by Maya Jaggi in The Guardian (17 December 2005) http://books.guardian.co.uk/departments/childrenandteens/story/0,,1669112,00.html
Context: Sometimes one’s very angry and preaches, but I know that to clinch a point is to close it. To leave the reader free to decide what your work means, that’s the real art; it makes the work inexhaustible.

The She-Ancient, in Pt. V
Source: 1920s, Back to Methuselah (1921)
Context: Art is the magic mirror you make to reflect your invisible dreams in visible pictures. You use a glass mirror to see your face: you use works of art to see your soul. But we who are older use neither glass mirrors nor works of art. We have a direct sense of life. When you gain that you will put aside your mirrors and statues, your toys and your dolls.

Paris 1923
As quoted by Marius de Zayas, in 'The Arts', New York, May 1923
Quotes, 1920's, "Picasso Speaks," 1923

“Making… an art out of your technological life is the way to solve the problem of technology.”
NPR Interview (1974)

as quoted in Nature and Culture: American Landscape and Painting, 1825-1875, Barbara Novak; Oxford University Press, 2007, note 74
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